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1100 Playwright Interviews

1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...

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Apr 30, 2007

selling guns to those found to be mentally deranged

thanks to Freeman

http://matthewfreeman.blogspot.com/2007/04/student-arrested-for-writing-essay.html

for this New Yorker article

http://www.newyorker.com/talk/comment/2007/04/30/070430taco_talk_gopnik

"Reducing the number of guns available to crazy people
will neither relieve them of their insanity nor stop
them from killing. Making it more difficult to buy
guns that kill people is, however, a rational way to
reduce the number of people killed by guns. Nations
with tight gun laws have, on the whole, less gun
violence; countries with somewhat restrictive gun laws
have some gun violence; countries with essentially no
gun laws have a lot of gun violence."

and

"Semi-automatic Glocks and Walthers, Cho's weapons,
are for killing people. They are not made for hunting,
and it's not easy to protect yourself with them. (If
having a loaded semi-automatic on hand kept you safe,
cops would not be shot as often as they are.)"

Apr 27, 2007

farm bill

http://www.nytimes.com/2007/04/22/magazine/22wwlnlede.t.html?em&ex=1177819200&en=012aaa4af05f033c&ei=5087%0A

"A public-health researcher from Mars might
legitimately wonder why a nation faced with what its
surgeon general has called "an epidemic" of obesity
would at the same time be in the business of
subsidizing the production of high-fructose corn
syrup. But such is the perversity of the farm bill:
the nation's agricultural policies operate at
cross-purposes with its public-health objectives. "

our lord and saviour

Jesus's blog (from daisey)

http://www.jesuschristscoolblog.blogspot.com/

Apr 26, 2007

new scene from Temporary Everything

a first draft as always

FIFTEEN

(BRIAN is dressing in all black in his apartment.
TODD watches)

TODD
Brian. Brian. Brian. Brian. Brian. Can you hear
me? Brian. Brian. Brian. Brian.

BRIAN
Todd.

TODD
Oh, good.

BRIAN
What do you want?

TODD
Nothing. (Pause) Brian? Brian. Brian. Brian.
Brian.

BRIAN
What?

TODD
You told her about me didn't you?

BRIAN
Umm…

TODD
Didn't you?

BRIAN
Yes.

TODD
Well, did it get you laid?

BRIAN
No, Todd it's not like that.

TODD
What a waste.

BRIAN
I guess so. I didn't really think about it. She's
been having a lot of inappropriate sex. I don't want
to contribute to that or anything.

TODD
Oh. OK. Is sex with you automatically inappropriate
or do you do something particularly inappropriate like
during it.

BRIAN
Umm . . . neither . . . I just . . . what do you want?

TODD
Where are you going?

BRIAN
I have to go to work.

TODD
It's nighttime.

BRIAN
I need to help Miranda stop capitalism.

(He puts a ski mask on and then lifts it back up so
his face can be seen.)

TODD
Oh. Oh, well then. That explains it I guess. Oh,
OK. Well, good luck with that. I'll stay here if
that's OK.

BRIAN
That's fine.

TODD
Good.

(TODD stares at BRIAN.)

BRIAN
What?

TODD
She made you crazy.

BRIAN
No, she didn't.

TODD
That's what women do.

BRIAN
That's just not true.

TODD
Just tell me this. Should I be worried?

BRIAN
Should you be—

TODD
Should I be worried?

BRIAN
Look at me. You need to let me go.

TODD
What?

BRIAN
Release me. Release me.

(They stare at each other. BRIAN pulls down the
facemask and exits.)

welcome to the information age.

we know everything.

collectively.

just ask.

monday

monday

my friend Larry's play

http://www.nytheatre.com/nytheatre/guy5028.htm

bad hamlet

Gaby blogging about production of First Quarto Hamlet

http://badhamlet.blogspot.com/

last weekend for Pretty Theft in Seattle

http://seattleperforms.com/component/option,com_nathevents/action,details/show_id,2634

First Weekend for Food For Fish in Los Angeles

http://www.theatreofnote.com/

and on monday reading of my play Incendiary

http://arsnovanyc.com/out-loud/

Apr 25, 2007

So K and I are trying to figure out how to spend 2
weeks in a writing retreat sometime this summer.
preferably somewhere quiet and nice. Anyone know of a
place? We didn't apply anywhere so it can't be one of
those places we had to have applied to months ago.

Apr 24, 2007

Vermont calls for Bush to be impeached

http://abcnews.go.com/US/wireStory?id=3060355

Dream Project

http://www.nytheatre.com/nytheatre/drea5149.htm

the first half of my scene adaptation for the Dream Chain

Life is a Dream
Adam Szymkowicz


Act 1, Scene 1


(SEGISMUNDO in a spotlight wears heavy chains that
restrict his movement. He is shackled, weighed down,
and sad.)

SEGISMUNDO
Misery! Woe am I! Woe! I have seen from the jail
window the calm water, the laughing children, the
flowers in bloom, birds of many colors—I don't know
their names—if they see me with a book, they take it
away before I can learn the difference between a
sparrow and a hawk. They don't want me to know things
in case . . . in case I might do something. You don't
know what I could do. Misery! All I know is misery.
Woe. Woe. Woe-Woe. The day I was born they knew to
put me in shackles. Before they washed me off even,
I was in irons. Cleanliness don't come before public
safety. I'm a menace, you see. Look real close.
Can't you see I'm a menace? They could see it in my
eyes. They could hear it when they pressed their ears
up to the womb. They learned something then I guess.
Don't get too close. I'm not safe. I'm evil. They
tell me I'm evil.

(ROSAURA rides in on CLARIN's back, a riding crop in
one hand and reins in the other. She is dressed as a
man. CLARIN wears a clown nose and, besides ROSAURA,
carries two heavy suitcases. They do not see
SEGISMUNDO.)

ROSAURA
Whoa! Whoa! Hold up there, horsey!

CLARIN
I'm not a horse. I'm Clarin.

ROSAURA
I'll say you're not a horse. A horse is quick and
intelligent and brave and strong.

CLARIN
Right. I'm none of them things. I can't even neigh
proper.

ROSAURA
You should have thought of that before you shot our
horses.

CLARIN
They were moving too slow.

ROSAURA
They're moving much slower now.

CLARIN
I hate Poland. Remind me again why we came to Poland.

ROSAURA
I have business.

CLARIN
Right, what does that mean? And why are you dressed
like a man?

ROSAURA
It's better to dress like a man.

CLARIN
Yeah but no one will believe you.

ROSAURA
Everyone will believe me.

CLARIN
No one will believe you.

ROSAURA
Clarin!

CLARIN
I mean you're not very manly.

ROSAURA
Is it because I'm so beautiful?

CLARIN
No, that's not it.

ROSAURA
You don't think I'm beautiful?

CLARIN
Are you propositioning the help?

ROSAURA
Clarin!

CLARIN
Because I heard rumors, sure, but I never thought--

ROSAURA
Let's look for a place to stay.

CLARIN
I guess I could sleep here and you could sleep over
there. Or I could sleep over there and you here. Or
I guess if you wanted me to sleep with you I guess I
could make an exception because it's only you and me
here alone and I'm lonely and you're lonely and I'm a
man and you're a woman and your hair looks quite nice
in this light if I squint, like this.

(The rustling of chains.)

ROSAURA
Shh! What's that?

CLARIN
I don't know. Don't let it ruin the mood.

ROSAURA
Is this a building?

SEGISMUNDO
Woe! Woe is me! Misery! Sadness! Oh-Woe!

ROSAURA
Did you hear that?

CLARIN
No. Take off your pants.

(ROSAURA enters the building and CLARIN follows,
undoing his belt. They stop when they see
SEGISMUNDO.)

SEGISMUNDO
Why was I built like this? Why? I was born this way,
don't you see? My heart they say is the largest heart
ever found in a person's chest. When it beats, it
shakes the walls. They are terrified of it, which is
why I'm here. Or it is my eyes. My eyes they say are
more destructive than any hammer ever made. Birds
fall from the sky if they chance to look at me
head-on. Or my voice. The wild beasts I the
forest, in the ground, in the ocean all tremble when
they hear the sound that can come from the back of my
throat. Or it was these fingers.

ROSAURA
Fingers.

SEGISMUNDO
Or this skin.

ROSAURA
Skin.

SEGISMUNDO
Or this tongue.

ROSAURA
Oh!

SEGISMUNDO
What was that?!

ROSAURA
He's so beautiful.

CLARIN
He's OK.

SEGISMUNDO
What's that? Who's that? A spy? Who sent you? Have
you come here to beat me?

ROSAURA
(stepping forward)
No.

(SEGISMUNDO grabs her in his large arms.)

SEGISMUNDO
I can't let you live.

ROSAURA
No!

CLARIN
Let her live!

SEGISMUNDO
What, another one?

CLARIN
No.


ROSAURA
Please, sir.

SEGISMUNDO
You shouldn't have heard me.

ROSAURA
But, your voice. It made me feel—

(Romantic music begins to play. ROSAURA touches his
face.)

SEGISMUNDO
I've never been touched like this.

ROSAURA
Your skin is so rough.

SEGISMUNDO
I've never felt like this.

ROSAURA
Your body is so warm.

SEGISMUNDO
I don't understand what's happening.

ROSAURA
Your eyes are so strong.

SEGISMUNDO
I feel a rising in my chest, a swelling of my throat.
It's like the first moment of something unexpected.

ROSAURA
I feel it too.

SEGISMUNDO
It's like something I can't explain.

ROSAURA
I can't explain it either.

SEGISMUNDO
Stay here with me.


CLOTALDO
(Offstage)
Intruders! Intruders!

(The music stops)

CLARIN
Oh, shit!

ROSAURA
What's going on?

SEGISMUNDO
You're not supposed to be here. No one is supposed to
see me.

ROSAURA
Not ever?

SEGISMUNDO
They will kill you.

CLARIN
They will what?!!

(CLOTALDO enters shouting followed by armed GUARDS.)

CLOTALDO
Intruders! Seize them

part 2 of the Daisey saga

http://www.mikedaisey.com/2007/04/aftermath-and-confrontation.sht

Apr 23, 2007

another play you should know

Everything Will Be Different: A Brief History of Helen of Troy by Mark Schultz

come see it

Incendiary
By Adam Szymkowicz
Directed by Kip Fagan

Apr 30 at 7:00PM
at Ars Nova
511 West 54th Street, just west of 10th Avenue

The event is free but rsvp's are a must. Rsvp at
rsvp @ arsnovanyc.com

Incendiary is the comic tale of a combustible group of
people. Elise is a pyromaniac fire chief. Jake is the
police detective investigating her fires. Carrie is a
therapist who's trying to get a client to quit some
truly destructive behavior, and Gary is leading the
life of a somewhat ineffective corporate spy. As the
smoke begins to billow and the sparks begin to fly,
they're all about to find out that love is the most
incendiary thing.


----------------

SEATTLE, one more week of Pretty Theft

LA, Food For Fish starts next week

Apr 20, 2007

from monologist Mike Daisey on his show in Cambridge

Last night's performance of INVINCIBLE SUMMER was
disrupted when eighty seven members of a Christian
group walked out of the show en masse, and chose to
physically attack my work by pouring water on and
destroying the original of the show outline.

If you'd like the full story, it's at the top of my
site:

http://mikedaisey.com/

md

Apr 16, 2007

hack hack, sniffle

I am home sick so I did not see the Pulitzer
announcement as I did last year, however was still
aware of what time it was being announced because it
took place in the building I work in.

Got two rejection letters. they were both very nice
rejection letters. the kind you want to get if you
are going to be rejected. I'm getting a lot of these
lately. It's both encouraging and discouraging. I
was swearing to give up playwriting forever and then
immediately sitting down to work on my new play--both
in a dayquil haze.

It's so hard. Why is it so hard?

Pulitzer

Winner is Rabbit Hole.

http://www.pulitzer.org/

Apr 15, 2007

Apr 13, 2007

coming soon 1 and 2

1


2

I don't want to live in a celebrity culture

Sometimes I can't stand it.

When will it be over?

the list

thanks to Daisey for the link

http://www.mikedaisey.com/

http://www.boingboing.net/2007/04/10/treasury_depts_250pa.html

"The list is 250 pages long. If you do business with a
person on the list, you can pay $10 million in fines
and go to jail for 30 years. "Doing business" can be
as simple as selling one of those people a sandwich.
Not an anthrax sandwich -- like a roast beef on rye. "

Apr 12, 2007

four chairs play opens today

http://www.theatermania.com/content/show.cfm/show/131140

Class

At a union meeting yesterday we were to ratify the
agreement the union and university made (I'm an office
worker at a university). I haven't had an increase in
pay since October 2005. I will be getting an increase
finally and it will be retroactive to Feb of this
year. But it's 3 percent. Looking at the schedule
for the next five years according to the agreement,
there is no way we will ever get ahead of inflation.

I mean part of the reason I have this job is to pay
off student loans. It's not a job I have because I
love my work--it's a job for the money. And as jobs
for the money, it sucks, quite frankly.

I am able to pay the monthly installment on my huge
loans and buy food and see occasional plays but I have
nothing left over. I am breaking even. The only
money I have been able to save was the small amount
I'm making from royalties.

So that's my life right now. How are you?

Vonnegut's gone.

Long live Vonnegut

Apr 11, 2007

ny times article

http://www.nytimes.com/2007/04/10/health/10gene.html?em&ex=1176436800&en=931923a564fed9e9&ei=5087%0A

"It is a misconception that the differences between
men's and women's brains are small or erratic or found
only in a few extreme cases, Dr. Larry Cahill of the
University of California, Irvine, wrote last year in
Nature Reviews Neuroscience. Widespread regions of the
cortex, the brain's outer layer that performs much of
its higher-level processing, are thicker in women. The
hippocampus, where initial memories are formed,
occupies a larger fraction of the female brain."

and this:

Such experiments do not show the same clear divide
with women. Whether women describe themselves as
straight or lesbian, "Their sexual arousal seems to be
relatively indiscriminate — they get aroused by both
male and female images," Dr. Bailey said. "I'm not
even sure females have a sexual orientation. But they
have sexual preferences. Women are very picky, and
most choose to have sex with men."

Apr 10, 2007

these times

thanks to Lucas for this

http://lucaskrech.livejournal.com/


http://balkin.blogspot.com/2007/04/another-enemy-of-people.html

"I confess to having been furious that any American
citizen would be singled out for governmental
harassment because he or she criticized any elected
official, Democrat or Republican. That harassment is,
in and of itself, a flagrant violation not only of the
First Amendment but also of our entire scheme of
constitutional government. This effort to punish a
critic states my lecture's argument far more
eloquently and forcefully than I ever could."

Apr 9, 2007

Please mark your calendar

My play Incendiary will be read at Ars Nova Monday
April 30th at 7pm. Kip Fagan will direct. Hope to
see you there!

http://arsnovanyc.com/out-loud/

2007 nytr

The 2007 New York Theater Review is out and I have a
piece in it. Check it out. It's a very cool book!

http://www.nytr.org/

plugs for other people

First, Matt Freeman's Show With Matt J today and
tomorrow

http://matthewfreeman.blogspot.com/2007/04/dream-of-ridiculous-man-tonight.html

Second, see James Comtois dance around without a shirt
on. Really.

http://jamespeak.blogspot.com/2007/04/opening-tonight.html

Third the soho rep writer director lab.

http://jasongrote.blogspot.com/2007/04/soho-rep-writerdirector-lab-reading.html

class

Interesting post from Isaac on class

http://parabasis.typepad.com/blog/2007/04/whatever_happen.html

I've been thinking about this a lot lately. As a
playwright, I am writing from a certain point of view
which is MY point of view. It comes from where I grew
up and how I grew up and the people I know and how I
see all those factors. I was raised Catholic. My
father's family was Polish Catholic. My mother's
family was all sorts of English, Dutch, Scottish but
basically the culture she came from was a Protestant
American culture, though she herself was not praticing
Protestant.

Both my parent were teachers who taught in public
schools, my mother high school math and my father 5th
and 7th grade--specializing in science. My father
also started a series of businesses while teaching
full time. He built picnic tables then he opened a
video store in the mid eighties, then he started
buying houses. Basically he's a workaholic. Both my
parents are now retired but he is still buying houses
and working on them and then trying to resell them.
And so through lots of hard work and smart investment
he is doing quite well financially right now, or at
least much better than a teacher is expected to be
doing.

So basically my point is that I grew up in a house
that was a hard working house and also not exactly
working class and not exactly not working class.
(I've spent many hours roofing). I went to a public
school and a public university. I grew up in a small
town in Connecticut, which is something that is hard
to explain unless you too grew up in a small town in
Connecticut. And I think a lot of my small town view
of the world remains as well as the idea that I have
to have a day job (not to mention the grad school debt
that I'm currently saddled with, which makes my day
job necessary.)

Based on the way my parents worked and worked, I am
likewise working a day job and doing my best to write
plays as my other job. It's what I'm expecting myself
to do and it's also incredibly tiring. And while I
know that I do tend to write more when I have a full
time job, I also have a lot less time to write.

I know I would be more focused on my playwriting if I
didn't have a 9-5 job. And I know that it would have
been helpful if I had gone to undergrad at Princeton
or Yale or somewhere that had had a theatre major--
course when I was applying to school I didn't know I
wanted to be a playwright. But if I had gone to an
Ivy league school I think I would have a clearer
picture of the wealthy people that make up New York
audiences. Six Degrees of Seperation is a fantastic
play but it's not a play I am equipped to write
because I am not of that world.

And so sometimes I wonder if the wealthy theatregoers
are interested in what I have to say. Is my point of
view something that would interest them? I am not
Jewish. I'm not writing about people living on the
Upper West side. I have a certain unique point of
view and some of that has to do with growing up where
and when and how I did.

Considering the price of theatre tickets, the off
broadway and broadway audiences are and have to be
wealthy these days.

At the same time, I want my plays to be produced in
small theatres throughout the country. I want my
plays to mean something to the actors in Michigan who
are holding down day jobs and then come to rehearse at
night.

And I want to find a way to make a living writing.
Because I'm so very tired. Especially on a Monday.

Apr 6, 2007

explain this to me

OK, so I'm not like checking this all the time or
anything and I do do work at work. i swear. Just ask
the pile of completed work. but someone please
explain to me how my amazon sales rank was around 2
million yesterday and now is at 126,643. I mean I
know it doesn't mean I sold a couple thousand books
yesterday but what does it mean exactly? How is it
possible for something to fluctutate like that?

OK, sorry for bothering you. Go buy my play.

http://www.amazon.com/Deflowering-Waldo-Adam-Szymkowicz/dp/0822221365/ref=pd_bbs_sr_1/104-1699331-0565554?ie=UTF8&s=books&qid=1175865671&sr=1-1

A show I'm looking forward to



It's by "blogger" Larry Kunofsky and it's a riot. I highly recommend. I'm going opening night. There's a party after. You should go.

Dying City discounts

The following discount codes work on
broadwayoffers.com:

With a student I.D., up to two tickets @ $10/ticket:
DC4TONY

Up to 6 tickets @ $45/ticket, open to anyone: DC45LCT

Apr 5, 2007

I have a play in this




I'm in good company. the other plays are by Anne Washburn and Quiara Alegria Hudes. The book also includes an intro by George Hunka and essays by Caridad Svich, Garrett Eisler, Alan Lockwood, and Brook Stowe.

Also photographs from all the productions and from the benefit at the brick featuring some other great theatrical luminaries.

In Seattle very soon

Apr 2, 2007

Plays you should know

Dead City by Sheila Callaghan The Internationalist by Anne Washburn Clean House by Sarah Ruhl Tragedy: A Tragedy by Will Eno Mr Marmalade by Noah Haidle The Intelligent Design of Jenny Chow by Rolin Jones

interview of David Cote

http://praxistheatre.blogspot.com/2007/03/10-questions-david-cote.html

"7) How much do you think artists should be changing
their work or their creative direction based on
critics' feedback?

Well, if the quality of critics were high, I'd say
that they should. But generally, theater critics are
almost as irrelevant as theater is to the average TV
and film-addicted booby. My younger colleagues are
smart and talented, but the most influential critical
posts in this city are jealousy guarded by a wizened
knot of nostalgia-drenched mediocrities who have no
idea what the next generation is doing and can barely
stay on top of what's happening on Broadway. They are
advocates of nothing but their own pathetic memories
of musicals or plays in the 60s and 70s; they have
about as much vision as the bureaucratic philistines
we call artistic directors."

noveling or playing

Remember that novel I was supposedly writing? Well I
got sidetracked I guess and am working on this play
now. I was about 16 thousand words in which is about a
full length plays worth and I do plan to go back to
it, and hopefully still have a draft before my 30th
birthday in August if at all possible. But damn it was
so hard. So hard. But yeah maybe after this play is
done, or after the next one...or once i find some time
to sit down.

Anyway, here is a post from Patrick about writing
novels vs. plays:

http://writinglife3.blogspot.com/2007/03/why-writing-novels-is-harder-than.html

soon

watch this site for your chance for your very own copy of the 2007

ny times article

http://www.nytimes.com/2007/03/30/nyregion/30poverty.html?bl&ex=1175659200&en=a6986c5fe5b6802d&ei=5087%0A

"What is troubling is the focus on personal behavior
as the solution to what is at least in part a problem
of the economy," she said. "Given what we know about
the growth of low-wage jobs and the shrinking of the
middle class, it will be, in fact, impossible to bring
more people into the middle class unless we improve
the labor market as well."

Food For Fish Tix now on sale

http://www.brownpapertickets.com/event/14109

Apr 1, 2007

Book for Sunday

I'm halfway through this book by Chuck Palahniuk
called RANT which I highly recommend. It's really
fantastic. This is his seventh book, but I never read
any of the others, although I may start now. He wrote
Fight Club which I thought was a pretty cool film and
based on what I'm reading now, must have been a great
book.

I picked up this book for free outside a book store
and I just realized by looking at Amazon that it is
not available until May. I count myself lucky in that
I get to read it now and didn't even have to have a no paying or low paying job in publishing or retail. Sometimes it
helps to be at the right place at the right time.