"No Impact Man is my experiment with researching, developing and adopting a way of life for me and my little family—one wife, one toddler, one dog—to live in the heart of New York City while causing no net environmental impact. "
Jan 11, 2008
I recommend
Amazons and Their Men
https://www.ovationtix.com/trs/pr/23881
I saw this show over the summer. It's well worth seeing.
Jan 10, 2008
article
on the amazing Adam Driver:
http://www.nytimes.com/2008/01/10/theater/10driver.html?pagewanted=1&_r=2&ref=theater
language
I've been thinking a lot about things that you can do onstage that don't work on TV or in film. Definitely there is a theater spectacle that won't work in the small box or the big screen and this usually asks for the audience's imagination to play a role. There are pieces missing from the set perhaps or the staging is not literal and we must imagine that actors are in places they are not actually. Sort of like a blue screen when the audience is asked to create--which can make for a much more amazing setting because when one creates it oneself, it is much realer on an individual level.
But that's not what I want to talk about, because that is the realm of the director and we writers rely on their genius to create beautiful things and we all rely on the audience to make little leaps with us. And I don't have the vocabulary to discuss it nor can I create it myself or understand why it is so pleasurable to watch a hint of something instead of have everything filled in.
What I want to talk about is the current movement that might be called language-based expressionism that I find exciting on the stage. Often a vocabulary of stage imagery and spectacle is also there. Chuck Mee does this a lot or think of Ruhl's house of string in Euridice. But what is just as exciting in my opinion is the non-naturalistic language that characters use. Sheila Callaghan does this. Sarah Ruhl does this. Adam Bock, Anne Washburn, some of Mac Wellman's students. Many of the poets of the stage from Brown do this. And a lot of other people dabble in it. It's become a movement of sorts. When TV and Film are catching up it's one of the last things we have left. (although you might argue that Deadwood or even the Sopranos sometimes leave the realm of naturalism, they don't do it to the extent that it can be done on the stage.)
I'm not sure why this works exactly for the stage. And it doesn't always, but when it does, it's amazing. Perhaps it is because we are more willing to suspend disbelief. Perhaps it has something to do with the space between the stage and the people. Some kind of energy transformed through the air. But enough of that. What am I talking about that I'm so excited about? Here are some examples:
Some Adam Bock
Sheila Callaghan here or here.
The blogosphere's own Matthew Freeman here.
I can't express this movement as well as I'd like. I'd love to hear what others have to say about it. What it is, where it's going. Here is a site about Mojo Theater, a much more specific delineation.
I do think that a playfulness of language and a flexibility of it is necessary to the future of our great American theater. And I'm looking forward to seeing where it will take us.
Jan 9, 2008
Jan 8, 2008
Everything's Coming Up Playwrights
Yesterday K got some great news.
Today I got some great news.
Will tell you soon. I swear.
but yay! The sun came out.
voting machines
http://www.nytimes.com/2008/01/06/magazine/06Vote-t.html?_r=1&oref=slogin
"Introduced after the 2000 hanging-chad debacle, the machines were originally intended to add clarity to election results. But in hundreds of instances, the result has been precisely the opposite: they fail unpredictably, and in extremely strange ways; voters report that their choices "flip" from one candidate to another before their eyes; machines crash or begin to count backward; votes simply vanish. (In the 80-person town of Waldenburg, Ark., touch-screen machines tallied zero votes for one mayoral candidate in 2006 — even though he's pretty sure he voted for himself.)"
Republicans and Democrats
http://mrexcitement.blogspot.com/2008/01/how-they-won.html
How the right stopped the health care plan
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