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1100 Playwright Interviews

1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...

Aug 14, 2007

For some crazy reason I started reading some of the bad reviews of my
previous plays. Don't ask me why. It's amazing how many voices in
our day to day writing life say "no" and "bad" and amazing how many
people want your play to be something other than what it is. If you
listened to these people and let them in and believe everything they
say, you would implode.

Sometimes you just have to be like, fuck you. this is my play. this
is the way i want to write it. Your idea will not help it. I do not
need to know you don't like it. i do not need to know what you need a
play to be.

You can't create anything new if you are worried about pleasing people.

At the same time, there are smart people sometime who know what they
are talking about and can help you and when they speak they are maybe
not saying what you want to hear about your play, but you know they
are right and you know you should work towards the things they are
saying.

Survival in this field is all about navigating these voices. I got a
show coming up and maybe I should go back to not reading reviews
again. I know what this play is. I know its strengths and weaknesses
and I will learn everythign I need to know by sitting in the audience
and feeling their energy. Do I need to read what someone thinks of
the show? Not really. Who said that if you believe the good reviews,
you have to believe the bad reviews? I'm not sure how you can do that
when they contradict but again, i'm taking everything too literally.

if you get a chance

go see Gus Schulenburg's Riding the Bull in the fringe. I saw it and
it's pretty great.

http://www.fluxtheatre.org/

Aug 15 in Columbus, OH

A reading of my play, Pretty Theft


http://www.avltheatre.com/Shows/nwn.html