Aug 29, 2024

I Interview Playwrights Part 1120: Mathilde Dratwa




Mathilde Dratwa


Hometown:  Brussels, Belgium

Current Town:  Brooklyn, NY


Q:  Tell me about Dirty Laundry.


A:  I found out the day my mom died that my dad had been having an affair for six years. So I wrote about it.


Q:  What else are you working on now?


A:  I'm adapting a New Yorker short story into a feature film with my writing partner, Gillian Robespierre. I'm also working on a couple projects about marriage. And also a play about my maternal grandmother, a Jewish woman who went into hiding in a convent during WWII. She was dressed as a nun. Unfortunately, she was pregnant, and started showing. But really that piece is about schizophrenia, and the strange and uneasy interplay between faith and mental illness.


Q:  Tell me, if you will, a story from your childhood that explains who you are as a writer or as a person.


A:  I'd draw random treasure maps — completely made up — and then try to follow them in the woods. My mom would drop random objects at the base of trees for me to find when I got to the "X". I thought I was magical. I think a lot about that — the ability to dream up something real. Really this is a story about my mother, and about love.


Q:  If you could change one thing about theater, what would it be?


A:  I'd like to see a way for time-sensitive plays — plays that address the current moment — to be produced. Something quick and maybe unpolished but responsive. I hate how long it takes for shows to come through the existing pipelines. It means plays that have an in-built shelf-life are often, unfortunately, DOA.

Q:  Who are or were your theatrical heroes?


A:  Actors are my heroes. The best ones are selfless, and transformative. What they do is a gift.


Q:  What kind of theater excites you?


A:  I like stuff that's visceral, raw, and theatrical. Plays that can only be plays (as opposed to, say, TV shows).

Q:  What advice do you have for playwrights just starting out?


A:  Don't be precious. Write a play, then write another one. Then another. Nothing will happen until you have at least three of them.


 
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