Tuesday, March 12, 2013
It’s been a while since I posted an actual blog post that I wrote myself that isn’t to promote one of my projects. Here goes.
I’ve been reading a bunch of plays recently for contests and such as well as in my new role as a Lit Mgr for an off off theater in town. (Yes, I’m being intentionally vague)
As a reader of over 200 plays in the last six months, I get really excited each time I read something really good. The other day I read a funny heartfelt play by an emerging writer that I was blown away by. (Again, intentionally vague. Please don't try to guess.) I immediately started to wonder who I could show the play to. Was there a theater in New York who could do the play? After a quick google search, I realized the play had already been done and had gotten mixed reviews in New York. The times had not been kind. And I knew a couple of the cast members and knew them to be very talented and I knew the play and knew of the director. And I wondered…
What Went Wrong?
1. Was I mistaken in my assessment of the play? That’s certainly possible, but I don’t think so.
2. Did the play just have bad reviewer luck? Did the wrong people see it and not get it? That is a definite possibility and frequently happens.
3. Were the wrong people involved in the production? Was it miscast? Was it the wrong director? Were there communication problems? Has the very talented writer not yet learned how to explain the play to her collaborators?
It could be any of these but let's suppose it’s # 3. Let me ask you, how did you learn how to find the right people to work with? Does it continue to be a struggle? Do you know when to say no? How does a talented writer learn how to cast and choose a director and work with a team to realize the best possible production of a play. How do we make necessary compromises while keeping intact the vision and structural integrity of the piece? How do we find the people who will make the play better than it should be?
I’m still wondering if there are theaters out of town I could recommend the writer send the play to, theaters who are young and exciting. The trouble is, how does one recover from bad reviews? The play which should be published, is not. And what to I say to this writer? And how does one talk theaters into it who are leery of multiple bad reviews?
I don’t have the answer to this. What do you think? Certainly, write the next play. Continue. Can anything be done?
Books by Adam