Author"
Only one more performance.
http://matthewfreeman.blogspot.com/2007/06/pretentious-festival-shill-for-friday.html
1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...
Only one more performance.
http://matthewfreeman.blogspot.com/2007/06/pretentious-festival-shill-for-friday.html
The Dream Chain: an adaptation of the play written by
multiple authors, each writing only one scene of the
play. Contributing playwrights include: Sheila
Callaghan, Marcus Gardley, Amlin Gray, Jason Grote,
Carmen Rivera, Adam Szymkowicz and Candido Tirado
Directed by August Schulenburg
Tuesday, June 12, 8pm
Michael Weller Theater, 311 W 43rd St, 6 Floor
Time: Friday, June 15, 2007 5:00 PM
Title of Event: New York Theater Review: Reading and
Book Signing
Friday, June 15, 2007 at 5:00 p.m.
Free Reading and Book Signing
New York Theater Review 2007
Special guests to include: Quiara Alegria Hudes (2007
Pulitzer Prize finalist for ELLIOT, A SOLDIER'S
FUGUE); Adam Szymkowicz (FOOD FOR FISH); Anne Washburn
(I HAVE LOVED STRANGERS);
and
George Hunka (Superfluities theater blog); Garrett
Eisler (Playgoer theater blog); Alan Lockwood (Beckett
centenary) and Caridad Svich (playwright and
founder/maestra of NoPassport)
The 2007 edition of the New York Theater Review
features essays from Playgoer's Garrett Eisler, Alan
Lockwood, Brook Stowe and Caridad Svich, and the
complete texts of new, full-length plays by Quiara
Alegria Hudes, a 2007 Pulitzer Prize finalist for
Elliot, A Soldier's Fugue (introduced by P73's Liz
Jones & Asher Richelli); Adam Szymkowicz' Food for
Fish (introduced by fellow playwright Crystal
Skillman) and Anne Washburn's I Have Loved Strangers
(introduced by fellow playwright Jeffrey M. Jones).
Plus a great big, juicy group interview with some of
the top movers and shakers in contemporary alternative
New York theater and a photo recap of last Fall's
fundraiser at the Brick Theater that helped make this
issue possible. Introduction by Superfluities' George
Hunka. Cover design by Savage Candy.
http://lauraaxelrod.typepad.com/
I'm generalizing here but I think there are many
reasons there is not a lot of conservative theatre.
First of all, the best places for theatres are cities
and cities are the most liberal part of every state.
Wherever the most people congregate, you will have the
most theatre and also the most liberals. So in almost
every community, theatre is set in a place where your
audience and your practitioners are liberal.
Artists by a large majority are liberal if you take
that word to mean generally inclusive. (theatre is
pretty inclusive in terms of different types of
artists and different types of people, but also
oddballs end up in theatre for various reasons and
stick around because they find acceptance.)
In some ways conservative theatre is an oxymoron...
which is not to say it doesn't exist, just that the
word conservative doesn't go with the idea of theatre.
When I think of the word conservative, I think of
certain constricting values that exclude instead of
including which I think is why there isn't a lot of
conservative theatre. Even the work required to sit
and watch a theatrical piece involves a certain
openess and going to the theatre is about putting
yourself in front of something unpredictable that has
not been vetted by any rating system or governing
board and being open to the effect it may have on you.
Stage Fright Productions
Writer: Adam Szymkowicz
Director: Moritz von Stuelpnagel
FringeNYC favorite, Susan Louise O'Connor, and her
best friend Jay try to find Susan a boyfriend by
holding auditions for an imaginary production in hopes
of finding Mr. Right. Or at least a date. Or even just
a freakin' kiss.
http://andrewsullivan.theatlantic.com/the_daily_dish/2007/05/verschfte_verne.html
"Critics will no doubt say I am accusing the Bush
administration of being Hitler. I'm not. There is no
comparison between the political system in Germany in
1937 and the U.S. in 2007. What I am reporting is a
simple empirical fact: the interrogation methods
approved and defended by this president are not new.
Many have been used in the past. The very phrase used
by the president to describe
torture-that-isn't-somehow-torture - "enhanced
interrogation techniques" - is a term originally
coined by the Nazis. The techniques are
indistinguishable. The methods were clearly understood
in 1948 as war-crimes. The punishment for them was death."
Also read this tom foolery.
Here are the rules of the house: Bloggers must post
these rules and provide eight random facts about
themselves. In the post, the tagged blogger tags eight
other bloggers and notify them that they have been
tagged.
This is a little rough because I did one of these a
while back. What did I not tell you that is of
interest?
1. I am not one of those people who watches movies
over and over with the exception of Wonder Boys which
I have watched many many times.
2. I am putting off finishing my novel yet again,
this time to write a screenplay.
3. I had intended to become an engineer, not a
playwright but then I liked English more than
calculus.
4. I was an actor first. I was in 30 something plays
from kindergarten to college. I stopped because it
was terrifying and not as fun as playwriting. I
played Pozzo, Paris, Puck, Picasso, and others.
5. I played soccer.
6. Most of my notebooks are covered with these
complicated collages that I spend hours creating and
adding to.
7. I have a cat named Skeezer
8. I am a middle child, and the only boy.
I tag no one and everyone. If you want to do it it
and you read this, consider yourself tagged. If you
didn't get this far I tag thee not.
Friday, June15
5-7pm
at
THE DRAMA BOOK SHOP
250 W. 40th St.
Manhattan
FREE!!!
However ... we would be remiss if we didn't stress
that seating is LIMITED to this FREE event.
Don't delay and get left out! Make your rezzie NOW at:
info at dramabookshop.com
or
212.944.0595, ext. 417
The Evening will Include Playwrights & Readings from
the 2007 Edition Plays:
Quiara Alegria Hudes (2007 Pulitzer Prize finalist for
ELLIOT, A SOLDIER'S FUGUE); Adam Szymkowicz (FOOD FOR
FISH); Anne Washburn (I HAVE LOVED STRANGERS).
PLUS
Conversations with 2007 Edition Contributors :
Garrett ( The Playgoer) Eisler, Alan Lockwood &
Caridad Svich
*******
The New York Theater Review was launched to help
increase recognition of downtown New York theater
artists and productions. The 2007 edition also
includes a great, big juicy group interview with
downtown movers and shakers Susan Bernfield, Kelly
Copper, Cynthia Croot, Mike Daisey, Lear deBessonet,
Alec Duffy, Zhenesse Staniec Heinemann, Pavol Liska,
Davis McCallum, Polybe + Seats & Kenneth Schlesinger.
Can't wait for the 15th? The 2007 Edition is available
now at the Drama Book Shop.
Our debut release features new plays from Sheila
Callaghan (the critically-acclaimed New Georges hit
Dead City), August Schulenburg (Riding the Bull) and
Ken Urban ( The Female Terrorist Project ) plus essays
and reviews ranging from Julian Beck's Living Theatre
to SoHo's own legendary Wooster Group.
Also available from Drama Book Shop .