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1000 Playwright Interviews The first interview I posted was on June 3, 2009.  It was Jimmy Comtois.  I decided I would start interview...

Oct 24, 2012

I Interview Playwrights Part 511: Colman Domingo

Colman Domingo

Hometown: Philadelphia, PA

Current Town: New York City

Q:  Tell me about Wild With Happy.

A:  Wild With Happy is a zany, crazy, out of it's mind new play that I both wrote and am acting in which is currently having it's world premiere production at the Public Theatre. It's about a forty-something year old man named Gil, played by yours truly, who loses his mother and the drama, hilarity and insanity that ensues. I've been calling it a "dark comedy about death and Disney World."

Q:  What else are you working on?

A:  Well, at the moment, I don't have a free moment between the hats I wear as actor and playwright at Wild With Happy, but I am really excited to say I'm in Steven Spielberg's upcoming film Lincoln - which I have seen and is spectacular as well as Lee Daniel's film The Butler, which will come out next year.

Q:  How does your acting work inform your playwriting and vice versa?

A:  Well, I feel that they really go hand in hand. I've always considered myself an actor's playwright. I am very sensitive to what is happening on stage, both when I am on and when I'm off. Making sure I am sensitive to how particular bits as well as the piece as a whole land on the tongue and then tweaking to make the piece sound and feel very clear.

Q:  If you could change one thing about theater, what would it be?

A:  Ticket prices! To make sure theatre is available for everyone regardless of your economic situation.

Q:  Who are or were your theatrical heroes?

A:  Geoffrey Holder, George Wolfe, David Belasco, Uta Hagen, The Lunts!

Q:  What kind of theater excites you?

A:  Theatre that slaps you in the face, makes you think, inspires you and shatters you to your core.

Q:  What advice do you have for playwrights just starting out?

A:  Follow your own voice - learn to be a storyteller based on what excites YOU about theatricality.

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