Friday, December 07, 2012

I Interview Playwrights Part 538: Saúl Enríquez



Translated by Andrea Thome and Lily Padilla

Saúl Enríquez

Hometown: I’m from Cardel, Veracruz, a beautiful town in the Gulf of Mexico, but I grew up in a magnificent valley in Orizaba, Veracruz.

Current City: Cancún, Quintana Roo, Mexico



Q:  What are you working on now?

A:  I’m creating a play about the reckless side of teenagers. It is part of a three play series on adolescence that I’m working on.

Q:  Tell me, if you will, a story from your childhood that explains who you are as a writer or as a person.


A:  I grew up in a place where people are used to creating stories; talking about legends that are constantly breaking down and being reconstructed. I remember one time when people swore they had found a werewolf on a mountain and that he had been captured by soldiers. I was a child, but to me the story seemed implausible. I was more fascinated by the fact that people believed this story than by the story itself.

Q:  If you could change one thing about theater, what would it be?


A:  The theater is a rare animal without rules…I like this. 


Q:  Who are or were your theatrical heroes?


A:  I don’t know about heroes, but playwrights that I have always admired are Shakespeare, Racine, Moliere, Beckett, Chekhov, Strindberg, Mamet, Albee, Miller, Kane. And the Mexicans: Liera, Gonzales Dávila y Olguìn, Leñero, Berman. Directors and actors are another list.

Q:  What kind of theater excites you?


A:  All theater that creates a new universe and stays true to its own invented logic.

Q:  What advice do you have for playwrights just starting out?

A:  I am beginning. But I like to focus on substance over form.

Q:  Plugs, please:

A:  My theater company’s facebook page: https://www.facebook.com/pages/Nuncamerlot-Teatro/336899535544?fref=ts



Reading of Schnauzer Duck at the Lark in New York this Sunday at 3 translated by Mariana Carreño King and directed by May Adrales.

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