Krugman on healthcare myths

http://www.nytimes.com/2007/11/09/opinion/09krugman.html?em&ex=1194757200&en=20ebaac94b8d4d4c&ei=5087%0A

WGA

Ken Levine on the strike:

http://kenlevine.blogspot.com/2007/11/12000-man-march-on-pico.html

give free rice

http://www.freerice.com/index.php

I got up to level 46 before falling back down

early morning

I worked some on this new play today that I was calling The Heart Stopper but now I think is called Open Heart. I like what I'm doing. I feel good about it and the writing is coming slowly which I'm actually enjoying. It's more like laying bricks than letting the play fly out of me. Food For Fish was like that a lot of the time and the play that resulted is a play I'm proud of so I hope it will be like that. Right now it feels like it will be the best thing I've ever written, although I have to admit I often feel that way at this point in the process. Otherwise, why would I continue? Two shows that I recommend: Page 73's production of Grote's 1001 Peter and Jerry by Albee at Second Stage

the problem with chuck

http://www.dailykos.com/storyonly/2007/11/6/85342/1863

the WGA and what the strike is about

http://web.mac.com/ziboskwitz/iWeb/Cooper%20Family/Home/EF3D1C1D-C652-4650-8BB1-FFC2E383EF75.html

2

After a day of watching a reading of Herbie: Poet of The Wild West and then some scenes from Open Minds, I discovered something my subconscious mind may already know. First of all, they were written 3 years apart and are very different kinds of plays but they both have a character named Herbie in them. (I also have 3 plays with characters named Bobby--3 very different Bobbys.) And the Herbies are different too. And the plays are very different. But, I wasn't aware that they had similar lines. From Herbie, a scene between him and his mother: MARY Well I guess you have to kill him, then. Who’s my soldier? HERBIE I am. MARY That’s right. Just, um…shoot him in the back, OK? Don’t let him take a shot at you. From Open Minds: MOTHER Not quite yet. Oh, you’re such a good boy. Stand up straight. Now aren’t you a smart looking boy? Who’s my soldier? HERBIE I am. MOTHER That’s right. You are, aren’t you? Now what are you going to do when people come to visit? Now in one way I have no idea where this phrase Who's my soldier came from. But also, apparently my subconscious thinks this phrase is funny. Funny enough to use twice. The readings both went well yesterday. We'll see what happens next.

click to feed rescued animals

http://www.theanimalrescuesite.com/clickToGive/home.faces?siteId=3

To Put you in the mood for my monday reading

on the humanity front

I know waterboarding is torture - because I did it myself By MALCOLM NANCE "One has to overcome basic human decency to endure causing the effects. The brutality would force you into a personal moral dilemma between humanity and hatred. It would leave you questioning the meaning of what it is to be an American. " h/t Mirrorup

in addition to that addition

Go see 1001. I saw it last night and it's fantastic!

in addition

First Flux Bar Series this Monday You are invited to the first performance of our Bar Series, a selection of short scenes from various plays that have been explored at Flux Sundays. It's a chance to see the work we are doing as well as kick back and have a drink with us. Monday, November 5, 7pm Jimmy's No 43 43 East 7th St (2nd and 3rd Ave) http://www.jimmysno43.com/ ADMISSION FREE!!! Featuring scenes from: Erin Brown's Narrator #1 Directed by Angela Astle With: Michael Davis, Kitty Lindsay, Brian Pracht, Christina Shipp August Schulenburg's Angel Juice Directed by Kelly O'Donnell With: Tom Del Pizzo, Candice Holdorf, Marnie Schulenburg, Jane Lincoln Taylor Adam Szymkowicz's Open Minds Directed by John Hurley With Jake Alexander, Tiffany Clementi, Felicia Hudson, Joe Mathers, Jason Paradine, Isaiah Tanenbaum, Cotton Wright ALSO SAVE THE DATE FOR THE FIRST IN OUR POTLUCK READING SERIES Pretty Theft By Adam Szymkowicz Sunday, December 2 FREE!!! The potluck reading series is a reading of a full-length play, where members of Flux bring their favorite dishes

MONDAY at 6

Monday, November 5, 2007, 6:00 PM Herbie: Poet of the Wild West Free reading of a play by Adam Szymkowicz Directed by Evan Cabnet. Starring Matt Stadelmann, Audrey Lynn Weston, Jeff Biehl, Heidi Armbruster, Guy Boyd, Arthur Aulisi and Barbara Pitts. at the New York Performing Arts Library at Lincoln Center. Bruno Walter Auditorium, The New York Public Library for the Performing Arts 40 Lincoln Center Plaza New York, NY 10023-7498 (use Library entrance at 111 Amsterdam Avenue, just south of 65th Street.)

Blue Box Productions presents Sticky@ Bowery Poetry Club Friday, November 2nd, 7-9 pm* all new 10-minute plays and music with cabaret star Jeffrey Marsh 308 Bowery, b/w Houston and Bleecker $8 at the door, $6 if you come by 6:30 pm to see the legendary Taylor Meade This week's line-up includes plays, performances and direction by : Ali Ayala, Ethan Baum, Sheila Callaghan, Jody Christopherson, Jennifer Elliot, Libby Emmons, Laura Heidinger, Neil Hellegers, Jeannine Jones, David Marcus, Joe McLaughlin, Kara Ayn Napolitano, Michael Niederman, Tlaloc Rivas, Stacy Rock, Ann Rooney, Jacob Saxton, Mary Sheridan, Joshua Skidmore, Karen Sours, Adam Szymkowicz, Eve Udesky, Ari Vigoda because anything that can happen can happen in a bar* we'll be Sticky every Friday in November: November 2, 9, 16, 23, 30 Check the website for full details and listings of what's up each night: http://www.blueboxproductions.net/

more on the plight of the wright

http://writerjoshuajames.com/dailydojo/?p=488

the only responsible thing

http://www.youtube.com/watch?v=bDsIFspVzfI

I <3 A.M. Homes

but I have to say even though I'm loving Music For Torching, This Book
Will Change Your Life is my preference.

Jason Grote's project

I'm seeing the play tomorrow. Can't wait. Check out this new site. It's a trip. So I'm very interested in getting your thoughts on a new web-based project. As both a marketing tool and artistic extension of my play 1001, Page 73 and I have created a sort of skeletal alternate site and reality game to accompany the play. Here's how it works: if you go to http://1001nyc.com and click on "Enter The Story," you'll be taken to a web-based alternate reality - the world of the play. This links to character blogs and email conversations, message boards, a 1001 wiki, and a few other easter eggs. Thematically, the play is all about the power of narrative, the porous border between reality and fantasy, and the internet as a real-life Library of Babel, so the site idea fits. In an ideal world, I'd love to see it transform into a Henry Jenkins-like, open-source fan project (mass group dramaturgy!) , with the idea that we are all storytellers in one big infinite collection of Arabian Nights tales, but we'll cross that bridge if and when we come to it. You can also get there directly at http://www.1001nyc.com/enter-the-story/ , but the first way is more fun. Thanks! Jason

what to do about despots

Post by Patrick

http://writinglife3.blogspot.com/2007/10/calling-all-daily-show-liberals-you.html

I welcome your thoughts.