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1100 Playwright Interviews
1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...
Oct 11, 2008
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Oct 8, 2008
Will Eno
Slay points us to this:
http://www.avltheatre.com/forte/2008/10/will_eno_in_the_believer.html
I love it!
Oct 6, 2008
What is your definition of success?
This sounds like a question Isaac would ask, and maybe has. If so I apologize.
But I'm interested in your answer. Playwrights, what makes you a success? A play on Broadway? A play of yours made into a film starring Robert Downey Jr? Writing a new play every year? A production a year? Critical success? Working with people you love?
For me, right now, I want my work to be done all over the country by lots of small theaters. I want them in colleges. I'm excited about the idea of actors being introduced to theater through my work.
Do I want large productions of my plays? Absolutely. But partially this is because only the plays with big productions get done all over the country.
Do I want to reach a larger audience? Yes. Do I want to work in TV and Film. Yes. But I'm sort of blurry on what that entails. An off broadway show is success for sure. A staff job on a good show is success of course. Then what comes next? It all depends where you're standing what is ahead and what is behind and what is irrelevant.
but please, tell me. What is success for you. Actors, Directors, Artists of all types, feel free to chime in.
Oct 3, 2008
photo from Food For Fish in Baltimore

Oct 2, 2008
cast from Nerve in Long Island

Nigro's advice to the playwright
Advice to the playwright: Never let anybody alter your work. But if they do, and it happens to make it better, be prepared to take credit for it. Never allow directors to intimidate you, but have some sympathy for them. They are professional cat herders and you are why they drink. Strive to be kind to actors, even when they're being impossible. They have a difficult life, and without them, you're a novelist. Praise and blame are illusions. Never take kind words for granted, but do your work. Just do your work. Don't let anybody stop you. Keep writing no matter what. Direct, act, build sets, earn your right to be in a theatre. This will give you insight into the absurdly difficult tasks you set for others when you write. Help other playwrights when you can, even if they don't like you. Jealousy is poison. We're all in the same sinking ship. Calm down. Hysteria is contagious in rehearsal, and life is short. Break the rules. Trust your own instincts. If your instincts now and then betray you, learn from it, but don't stop trusting them. Experience can deepen and fine tune your instincts, but in the end, you have nothing else. It's better to be hated for what you wrote than for what you let somebody else talk you into writing. Write without fear. Love without hope. Never take advice.
--- DON NIGRO
Oct 1, 2008
update

Sep 30, 2008
go see my short play Snow in East Haddam, CT
(The town next to the town where I grew up)
http://www.zwire.com/site/news.cfm?newsid=20142648&BRD=1635&PAG=461&dept_id=8613&rfi=6
Sep 28, 2008
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