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Mingle2 - Online Dating
1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...
who wants in? Slay and Freeman and Boo, get together
on this, yo.
I thought you might be interested in this site I
found, www.PaperBackSwap.com. I joined and I am so
glad I did. It's an online book swapping club for book
lovers all over the country. If you want to find out
more, just click the link below and it takes you to an
interactive demo that explains how things work.
http://www.paperbackswap.com/help/how_to_swap_books.php
If you do join the club, please put my email in the
referral section because then I get another free book!
adamszymkowicz @yahoo.com
Hope to see you at PBS soon!
Adam Szymkowicz
And that is what TV still can't get to. You can put
any crazy ass film on you tube or your personal
website and if people don't watch it, it's no big deal
but it could just as easily get a billion hits. But
if it doesn't, there is no one to answer to. There
are no ratings. There is only liberation and complete
freedom to say anything or do anything.
Blog gibberish for freedom!
sdg; sadg kk
Friday, June 15, 2007 at 5:00 p.m.
Free Reading and Book Signing
New York Theater Review 2007
Special guests to include: Quiara Alegria Hudes (2007
Pulitzer Prize finalist for ELLIOT, A SOLDIER'S
FUGUE); Adam Szymkowicz (FOOD FOR FISH); Anne Washburn
(I HAVE LOVED STRANGERS);
and
George Hunka (Superfluities theater blog); Garrett
Eisler (Playgoer theater blog); Alan Lockwood (Beckett
centenary) and Caridad Svich (playwright and
founder/maestra of NoPassport)
"Of course, part of the paradox here is that critics
lament the lack of originality among playwrights, but
producers, ever risk-averse, push playwrights to
follow the "rules" more closely, making otherwise
original writers into something more familiar - that,
or they pick up a writer anyway because s/he is "hot,"
and and then screw up somewhere along the line - they
don't prepare their audiences enough, or the fire the
good, smart original casts and replace them with
slumming stars who can't handle the material, then
it's a self-fulfilling flop so they go with something
more traditional, and the cycle continues."
Here's the info:
http://www.donorschoose.org/donors/proposal.html?id=92400&sindex=0
Here's to teachers who care about theatre!
--
Enrique Urueta
Playwright/Dramaturg/Private Dancer
(a dancer for money)
h/t daisey
"Now, as the article notes, the U.S. is looking to
Saddam's old crew to "bring stability" and perhaps
"consolidate the minority Sunni power" against Shiites
(Iran) … JUST LIKE SADDAM WAS DOING!
I apologize for the krazy all-caps, but oy vey, man.
Indeed, not only was there zero connection between
Sadaam and al Qaeda, but Sadamm was a bulwark against
radical Islamists.
We are now fighting Saddam's war. Hey, George Bush,
Bite me. "
http://www.broadwayworld.tv/viewcolumn.cfm?colid=18969
The Dream Chain
An adaptation of La Vida es Sueño written by multiple
authors, each writing only one scene from the play.
Contributing playwrights include: Sheila Callaghan,
Marcus Gardley, Amlin Gray, Carmen Rivera, Adam
Szymkowicz and Candido Tirado Director TBD
8pm, Tuesday, June 12, 2007 at the Michael Weller
Theater, 311 W 43rd St, 6th Floor
http://www.salon.com/ent/feature/2007/06/08/theater/index_np.html
Theatre gets overdeveloped. There are fewer slots.
the NEA is not around. A lot of playwrights go write
for TV where they can make a living. TV is better and
more adventurous than ever before, especially HBO.
I don't know about you, but I never have watched the
Tonys. It is so irrelevant, as are all awards, but
also to what I think of as theatre. The exciting
stuff right now in theatre is not on broadway. This
is not news. The exciting stuff for me is the stuff
that cannot be done on TV like Eurydice at 2nd stage.
And countless other plays written for the stage in the
vocabulary of theatricality.
I for one am tired of the endless articles about what
is wrong with the theatre. We know this. Tell me
what's right with it. Or if you don't know what's
right with it, stop seeing broadway and start seeing
the shows that matter.
Sorry to be picking on this article, partially because
I agree with much of what the writer says.
Only one more performance.
http://matthewfreeman.blogspot.com/2007/06/pretentious-festival-shill-for-friday.html
The Dream Chain: an adaptation of the play written by
multiple authors, each writing only one scene of the
play. Contributing playwrights include: Sheila
Callaghan, Marcus Gardley, Amlin Gray, Jason Grote,
Carmen Rivera, Adam Szymkowicz and Candido Tirado
Directed by August Schulenburg
Tuesday, June 12, 8pm
Michael Weller Theater, 311 W 43rd St, 6 Floor