Cailin Harrison
Hometown: Chicago, nothing like it and a great place to save a few pennies after getting my undergraduate degree in Broadcast Journalism from the University of Illinois (roasting summers, bitter cold winters and fantastic parties), but NYC is where my professional life really began in television. London holds a special place in my heart for all the inspiring plays I saw living there while working in film and tv. Ironically, this experience led me to be a playwright. But I have never been able to do anything in a straight line, ask my better half about that issue.
Current Town: Los Angeles, I love LA! It's not just the weather but the fantastic creative community that is here and of course, being able to walk to the beach. Dolphins, pelicans, stoners...what's not to like.
Q: What are you working on now?
A: That's a loaded question. I have a dramatic comedy, Last Swallows, going up about a multi-cultural dysfunctional family in New England that so far as resonated with everyone who as read the play. I have a fantastic cast and Kiff Scholl is an amazing director. This play goes up in September in the heart of West Hollywood. On the heels of that play, I have a mystical drama that takes place in Iceland during a storm in WW2 called, Defenders. This play was my writing sample to get into the graduate film program at USC which I survived with a diploma in hand at the end of it. For this play, I will be working for the second time with the wonderful Reena Dutt, who directed and won me awards at the Hollywood Fringe for my two hander Waitless which went on to the Edinburgh Fringe Festival and got some great reviews.
Q: Tell me, if you will, a story from your childhood that explains who you are as a writer or as a person.
A: As I have mentioned before nothing happens in a straight line in my life. I became fascinated as a toddler by Henry VII and his wives and started practicing Elizabethan English. Oddly enough, although I was terrified by him, I ended up marrying an Englishman, still not sure how that happened. Anyway, writing and school in general was particularly challenging because I am dyslexic. I often felt like I was crazy but was talked off the ledge with family support and a great therapist. It does take a village and I could not have gotten to where I am today without one.
Q: If you could change one thing about theater, what would it be?
A: I would like Equity to get its act together in terms of what theater does off Broadway. If they could just understand the struggle small theater and producers have while trying to provide outlets for actors, I think we'd all be in a better space.
Q: Who are or were your theatrical heroes?
Q: Who are or were your theatrical heroes?
A: I got the opportunity to work with Ted Lange, who has done so much beyond his character Issac, in the Love Boat, especially for theater in the African American Community and Los Angeles theater. He writes what he wants, gets it on stage and is confident about every minute he spends doing it.
Q: What kind of theater excites you?
Q: What kind of theater excites you?
A: I view theater as an enclosed urban safari. You never know exactly what you are going to get at any given show. That includes the shows with my name on it which, at least up to this point, have not called for an ambulance to cart me away.
Q: What advice do you have for playwrights just starting out?
A: It's not just about the show, it is about the process and that takes dedication. In any aspect of the arts where writing is involved it is really, really, really hard to get people to read your work let alone come together and read it live. If you can find a community and reward them in some even small way for helping you in development (pizza and beer) you will reap the rewards hopefully down the road. Only you can decide when a show is ready to try to find a backer. Or if you can back it yourself, do it and try to create a buzz for reviews to give your show a life beyond your creative nest that it is flying out of on to the stage.
Q: Plugs Please
Q: What advice do you have for playwrights just starting out?
A: It's not just about the show, it is about the process and that takes dedication. In any aspect of the arts where writing is involved it is really, really, really hard to get people to read your work let alone come together and read it live. If you can find a community and reward them in some even small way for helping you in development (pizza and beer) you will reap the rewards hopefully down the road. Only you can decide when a show is ready to try to find a backer. Or if you can back it yourself, do it and try to create a buzz for reviews to give your show a life beyond your creative nest that it is flying out of on to the stage.
Q: Plugs Please
A:
www.Onstage411.com/swallows
http://www.pandeliascanaryyellowcompany.com
https://www.facebook.com/PandeliasCYC
https://www.facebook.com/theatreplanners
https://www.instagram.com/theatreplanners
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