Featured Post
1100 Playwright Interviews
1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...
Dec 12, 2006
Dec 11, 2006
Dec 8, 2006
>From Andrew Sullivan
http://time.blogs.com/daily_dish/2006/12/quote_for_the_d_8.html
via Mike Daisey
"Some reports are issued and just gather dust. And
truth of the matter is, a lot of reports in Washington
are never read by anybody. To show you how important
this one is, I read it," - George W. Bush today.
Does he have to make Jon Stewart's job that easy?
Dec 5, 2006
manifesto for a theatregoer
The kind of theatre I want to see, the theatre I most enjoy, the theatre I am willing to pay money to see, the theatre I give the benefit of the doubt to even if it’s not all working completely is like this:
I like plays where I know the playwright is reaching towards something or struggling with something. I like the playwright who says I am troubled by this and think it should be on the stage. I like it when a play is written about something important to the playwright.
I like plays that experiment with language or form. I like visually beautiful and theatrical plays. I like plays in which actors use movement, voice, rhythm in unusual ways.
I like funny plays.
I like smart plays. I like plays that make me think.
I like plays with a lot of heart about people trying to connect with other people.
I like plays with tight construction that keep you on the edge of your seat.
I like plays that are about something, not plays that pretend to be about something.
I like plays that are constantly surprising.
I don’t like plays where I don’t learn anything.
I don’t like plays where horrible things after horrible things happen to characters and there is no hope. I especially don’t like it when characters do evil things without any real reason.
I don’t like it when a play is produced and there are clear problems of consistency or flabby writing that could have been fixed but weren’t.
I like plays directed by geniuses.
I like plays with quirky characters.
I like plays that star actors that are too interesting for Hollywood.
Sometimes I like musicals.
I like plays that are fun.
I don’t like plays about celebrities. Or that star celebrities, especially if that is all the play has going for it.
I like witty plays. And clever plays.
I like plays that make me think of bright colors.
I like ninety minute plays and sixty minute plays.
I like plays about love.
Dec 1, 2006
last month
So I finished a play at the beginning of november and
am 20 pages into another play. I have also been
writing a novel. I have nine thousand something
words. Which is not tons but it's something. I
word-counted some of my plays and some of the
hour-long ones are about that long. which means i
wrote about as much as an hour long play this month.
the bad news is that it will take me at least 5 or 6
more months to finish the book at this pace, i think.
i have no idea how long it will be actually. but that
means i will have to work this hard or harder and that
means (if word count means anything) that it will be
like writing 2 or 3 or 4 full length plays. except
that it's not like that. it's not like that at all.
am 20 pages into another play. I have also been
writing a novel. I have nine thousand something
words. Which is not tons but it's something. I
word-counted some of my plays and some of the
hour-long ones are about that long. which means i
wrote about as much as an hour long play this month.
the bad news is that it will take me at least 5 or 6
more months to finish the book at this pace, i think.
i have no idea how long it will be actually. but that
means i will have to work this hard or harder and that
means (if word count means anything) that it will be
like writing 2 or 3 or 4 full length plays. except
that it's not like that. it's not like that at all.
Nov 30, 2006
Nov 29, 2006
Nov 28, 2006
scene
This is something I'm working on. These are not the
real character names. I had to change them to protect
the secrecy of this very secret and confidential
project.
ACTOR
(Reading from the side)
So here we are.
LILY
Yes, we are here.
ACTOR
At our prom.
LILY
Yes.
ACTOR
I can’t tell you how much this night means to me.
J
Excuse me. That’s good but could you be closer?
(LILY gets closer)
ACTOR
I can’t tell you how much this night means to me.
LILY
To me too.
ACTOR
To be touching you finally. To have you in my arms.
J
Closer still. (LILY gets closer) That’s better.
LILY
When did you first notice me?
ACTOR
I don’t remember. It’s like you were always there
just out of my reach like a wanton cookie I really
wanted or like the most beautiful girl that ever
existed. No, wait I remember. It was the start of
your freshman year. It was fall. The leaves were
falling.
LILY
Am I holding you too tightly?
ACTOR
There was a morning mist in the air, a foggy beautiful
mist like the start of something. And then the mist
parted and you walked through it. Immediately I
couldn’t breathe. Was it an asthma attack? I felt I
had been shot through the lung, but no, it was the
heart instead. I was forever transformed. Who knew
it would take me three years to build up the courage
to speak to you? Who knew I could speak after that
fateful day?
LILY
And now you’re going off to college.
ACTOR
I am.
LILY
Will we ever see each other again?
ACTOR
Of course.
LILY
You’ll forget about me.
ACTOR
I could never do that. Not without some severe brain
damage.
LILY
You’ll find some other girl.
ACTOR
No.
LILY
Someone in some way better.
ACTOR
That’s not possible.
LILY
You’ll find someone lovier.
ACTOR
No.
LILY
She will worship you.
ACTOR
I worship you.
LILY
You do, don’t you? I like the way it feels in your
arms.
ACTOR
I like you in my arms.
LILY
I want tonight to be special.
ACTOR
It is. I’m here. You’re here.
LILY
I want tonight—kiss me.
J
Can we do that? Can we see that kiss?
(Hopefully there is a kiss and LILY goes weak at the
knees.)
ACTOR
That was special.
LILY
It sure was.
ACTOR
There’s something I have to tell you however.
LILY
What?
(Enter DAVID.)
DAVID
Excuse me. Hi.
LILY
Not now!
DAVID
I’m sorry.
J
You don’t look sorry.
DAVID
What?
J
Nothing.
LILY
WHAT IS IT?
DAVID
It’s a little loud. If you could please keep it down.
LILY
Why are you doing this to me?
DAVID
I’m sorry?
LILY
I don’t think you know how bad I need this. It’s been
a long time, a very very long time and you are trying
to prevent me from getting what I really really need.
DAVID
What are you talking about?
LILY
You don’t understand. Nobody understands. Nobody
understands me. It is very hard for me. It’s very
very very very very hard and I can’t take it anymore.
(LILY breaks down. DAVID looks worried.)
Nov 27, 2006
Nov 21, 2006
BUY THIS PLAY
That's right, for a mere 7.50 you can buy a play I
wrote.
In this holiday season, please think of the children
who are eagerly waiting for their own copies of my
play Deflowering Waldo now available in a handsome
acting edition.
Don't miss out. Get them before they are gone.
http://www.dramatists.com/cgi-bin/db/single.asp?key=3728
BUY THIS PLAY
That's right, for a mere 7.50 you can buy a play I
wrote.
wrote.
In this holiday season, please think of the children
who are eagerly waiting for their own copies of my
play Deflowering Waldo now available in a handsome
acting edition.
Don't miss out. Get them before they are gone.
Subscribe to:
Posts (Atom)