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Dec 13, 2006

Blue Coyote

K tells me there is something very interesting and
worthwhile and unpretentious going on over at the
Access Theatre. I'll be there Friday. Catch it if
you can. I am told there are lots of penises in the
show and blasphemy and a little bit of violence.


Blue Coyote Theater Group presents:

The Standards of Decency Project

Blue Coyote Theater Group has challenged nine fearless
emerging playwrights to create ten-minute plays that
feature at least one of the following: 1) nudity, 2)
violence, or 3) blasphemy, in a manner that is fully
warranted and justified (that is, that avoids mere
gratuitousness or sensationalism), while also intended
to offend conventional standards of decency. Vaguely
inspired by the FCC regulatory crackdown following
Janet Jackson's "wardrobe malfunction" at the
SuperBowl XXXVIII halftime show, Blue Coyote seeks to
spark a discussion about the uses and abuses of
transgressive performance onstage. All nine plays
will be performed complete and uncut for one week
only at the Access Theater.

Featuring new works by David Johnston, Mathew Freeman
, David Foley, Brian Dykstra, Boo Killebrew, Laura
Henry, Kristen Palmer, John Yearley, and Stan
Richardson.

At the Access Theater
380 Broadway, 4th Fl. (at White St.)
One week only! Dec 12th – 17th, all performances at
8pm
Tickets $18 via www.smarttix.com
See http://www.bluecoyote.org for more details.

Dec 8, 2006

>From Andrew Sullivan

http://time.blogs.com/daily_dish/2006/12/quote_for_the_d_8.html

via Mike Daisey

http://www.mikedaisey.com/

"Some reports are issued and just gather dust. And
truth of the matter is, a lot of reports in Washington
are never read by anybody. To show you how important
this one is, I read it," - George W. Bush today.

Does he have to make Jon Stewart's job that easy?

Dec 5, 2006

manifesto for a theatregoer

The kind of theatre I want to see, the theatre I most enjoy, the theatre I am willing to pay money to see, the theatre I give the benefit of the doubt to even if it’s not all working completely is like this: I like plays where I know the playwright is reaching towards something or struggling with something. I like the playwright who says I am troubled by this and think it should be on the stage. I like it when a play is written about something important to the playwright. I like plays that experiment with language or form. I like visually beautiful and theatrical plays. I like plays in which actors use movement, voice, rhythm in unusual ways. I like funny plays. I like smart plays. I like plays that make me think. I like plays with a lot of heart about people trying to connect with other people. I like plays with tight construction that keep you on the edge of your seat. I like plays that are about something, not plays that pretend to be about something. I like plays that are constantly surprising. I don’t like plays where I don’t learn anything. I don’t like plays where horrible things after horrible things happen to characters and there is no hope. I especially don’t like it when characters do evil things without any real reason. I don’t like it when a play is produced and there are clear problems of consistency or flabby writing that could have been fixed but weren’t. I like plays directed by geniuses. I like plays with quirky characters. I like plays that star actors that are too interesting for Hollywood. Sometimes I like musicals. I like plays that are fun. I don’t like plays about celebrities. Or that star celebrities, especially if that is all the play has going for it. I like witty plays. And clever plays. I like plays that make me think of bright colors. I like ninety minute plays and sixty minute plays. I like plays about love.

Dec 1, 2006

last month

So I finished a play at the beginning of november and
am 20 pages into another play. I have also been
writing a novel. I have nine thousand something
words. Which is not tons but it's something. I
word-counted some of my plays and some of the
hour-long ones are about that long. which means i
wrote about as much as an hour long play this month.
the bad news is that it will take me at least 5 or 6
more months to finish the book at this pace, i think.
i have no idea how long it will be actually. but that
means i will have to work this hard or harder and that
means (if word count means anything) that it will be
like writing 2 or 3 or 4 full length plays. except
that it's not like that. it's not like that at all.