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1100 Playwright Interviews

1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...

Stageplays.com

Jan 18, 2008

quote of the day

From the Chester Theater Company website: "My primary goal is to make CTC a fully integrated part of the Hilltown and Pioneer Valley community. The function of a theatre is to provide a forum in which artists engage the community in the lasting questions of life. If a theatre fails in the honest attempt to pursue that end, it has no function at all." The full quote, Byam tells me is this: "My primary goal is to make The Miniature Theatre of Chester a fully integrated part of the Hilltown and Pioneer Valley community. Not to educate, nurture, or enlighten, but to serve. People are rightly wary of artists who pretend to have answers. That function (pretending to have answers) is best left to schools and churches. All a theatre can claim to do is provide a forum in which artists engage the community in the lasting questions of life. If a theatre fails in the honest attempt to pursue that end, it has no function at all... The theatre is here to provoke, stimulate, excite, horrify. Actors, like shamans, enact the mysteries so that the audience may, by the leap of faith, take the hero's beautiful and terrifying journey. That is how we may serve the community." And here is another: "It is not unusual, these days, for arts organizations to serve notice about the great good they perform in a given community. As if the community was an under-served, undeveloped country lucky enough to have somehow attracted the artist's beneficent presence. Artists can, and do, make contributions to the quality of life. But is it truly greater than the shoemaker, plumber or grocer? As confirmed a theatre-lover as I am, I have often gone longer playless than shoeless or hungry. One doesn't even want to consider a world without plumbing... The fact is we would make plays even if we didn't believe they somehow improved the quality of life. We would make plays because, like all creators, we love the making."

us and them

This is taken from a description of an undergraduate theater program. I don't understand exactly what it means but I think it's safe to assume this particular college will not be producing my play Deflowering Waldo this year. "Christians are called to use their creative abilities to the glory of God. For those whose talent lies in theater, this calling can pose a difficult challenge, given Jesus' admonition to live in the world but not be of the world. Unfortunately, today's entertainment industry often promotes values that run counter to a Christian lifestyle. For this reason, any Christian young person considering a future in theater - whether as a performer, teacher, or graduate student - needs a positive Christian environment in which to nurture both creative ability and spiritual growth. Lipscomb University offers the opportunity to study under professors who are concerned about values: the value of imagination and creativity, the value of discipline, the value of excellence in the classroom and on stage, and most important of all, the value of a life lived for God and for others. If you share these values, if you want to grow as a theater artist and as a Christian, Lipscomb may be the place for you. A Christian education can help put talent, career, and spiritual life in the proper perspective, so that Christian faith and involvement in theater need not conflict." What I find most interesting about it is all the unspoken and half spoken but assumed "values" that supposedly go with being a Christian. I was raised Catholic but this is not that. And I'm not from this community so I'm not certain what they mean when they say Christian or if it indeed means anything at all. Perhaps it's just a theater program that is presented to parents this way. I don't know. But I am curious to hear your thoughts.

Jan 15, 2008

the News

I signed a contract today so I think it's safe to say that the amazing people at South Coast Rep have in fact commissioned a play from me. I'm very excited!

Reduced price on Brooke Berman play

As we gear up for our next production, Hunting and Gathering, we are searching for a new audience. The vital theater audience that everyone is searching for – younger people! In honor of this dubious task, we created $20 tickets for all preview performances, available to anyone 35 and under. And, these tickets can be purchased in advance! We see no reason to make you stand in line just because you’re physically able to. Purchase online by clicking here, by phone (212.279.4200) or at the 59E59 Street box office on 59th Street . All you need is the code (PS35), a valid ID, and you’re in.

reprinted with permission

From Jeffrey Sweet on why he's a playwright: I'm not going to speak for all of us. I do this because it's cool to stand at the back of the theatre and listen to hundreds of people laugh at something I thought was funny maybe a year or six years or twenty-five years ago. I do this because I can't run a multi-billion dollar company so I need to find some sphere in which I can run something. I do this -- or did this -- because, since I was lousy at sports, I needed some other way to make girls think I was cool. And it worked -- the lady I've been with for the last 17 years looked me up because she liked my plays and was particularly struck by how sensitively I wrote for women. (Oh, that's a tip -- if you're straight and write well for women, a lot of actresses will indeed want to meet you.) (If you're gay, odds are you write well for women anyway. How's that for a sweeping generalization? ) I do this because the world is chaotic and my experience of the world is also chaotic, so to make this a safer place to myself I take chunks of it and organize it into plays that have shape and coherence. Does this really make the world safer? No. But, as O'Neill has told us, illusion is sometimes necessary to keep functioning. I do this because I have a mostly screwed-up family and I needed to put something where a healthy family should be, and that's turned out to be the community of actors, writers and directors I've gotten to know (except for the hostile, psychotic ones, who remind me too much of my family). I do this because it's a way of tricking myself into finding out what I'm really thinking. I usually don't know when I start a play. By the time I've finished a play, I get to ask, "OK, why did I write this?" And sometimes I come up with responses that are surprising. A little like a burst of fireworks over a battlefield at night. I do this because I want to be fabulously wealthy and see my picture in the paper and meet and get compliments from famous and accomplished people. Obviously I have a firm grasp on reality. Jeff

Jan 14, 2008

this evening

We had a roundtable reading of Temporary Everything at MCC. It went well but I could still work on it some more. This is the second reading of the play. The first reading was about 8 months ago--the last thing read at the last class at Juilliard. Perhaps in another 8 months there will be another new draft of the play. There are only a couple more scenes left to write of Hearts Like Fists (which is what I'm calling it now). I kind of want to drag it out. I'm not ready to let it go.

must read

Must read on Daisey show, a must see when it returns this spring:

http://parabasis.typepad.com/blog/2008/01/how-theater-f-1.html

It makes me want to form a theater company on the Ridiculous Theater model:

i.e. one that does plays (preferably my plays) in rep for months and months.

The First Ever Caption Contest on this blog

My nephew and their cat. Please leave LOLcats captions of your invention in the comments. I mean, unless you're chicken.

...Or it could be LOLbabies.

something new

A new blog by a playwright friend set up to showcase writing.

http://gettheguests.blogspot.com/

A piece of my play is the second post.

new scene, 1st draft as always

(NURSE 2 enters the room. DR. X is handcuffed to the bed. They look at each other for a long time. Neither of them moves. Then, finally, NURSE 2 approaches.) NURSE 2 I have medication for you. It’ll allow you to sleep. DR. X It’s you. NURSE 2 Yes. DR. X It’s really you. NURSE 2 Yes. DR. X I can’t believe it. NURSE 2 I didn’t know if you’d know me. DR. X I couldn’t ever forget you. NURSE 2 I thought you might. DR. X I thought I’d never see you again. NURSE 2 Me either. DR. X You’re all I think about. Day and night. Afternoon. Morning. When I’m dreaming. When I’m awake. When I’m loading my syringe or washing the dishes. When I’m thinking about getting a cat, really I’m thinking about you. I do it all for you. NURSE 2 I wish you would stop. DR.X If I can’t have love, no one can. NURSE 2 That seems unfair. DR.X Tell me--What is your name? NURSE 2 You don’t know? DR.X No. NURSE 2 Well, let’s keep it this way. DR. X Why is it I can’t remember your name, yet all I think of is you? NURSE 2 Maybe it’s because I hit you on the head. DR.X You did? NURSE 2 Before I left. DR. X Oh. NURSE 2 You were sleeping so peacefully. I wrote the note and I put it where I thought you would see it. DR. X You didn’t sign it. NURSE 2 I thought it was a very polite note but I thought maybe you didn’t necessarily understand polite based on my past experiences with you. So I hit you over the head with a frying pan just to be sure you got the message. You didn’t wake up so I hit you again just to be sure. Then I checked your vitals and everything was OK so I went to work. And I never saw you again. Now it turns out you’re Dr. X. DR.X And you’re, Molly? NURSE 2 No. DR.X Sylvia? NURSE 2 No. DR.X Gertrude. NURSE 2 No. DR.X Betsy? NURSE 2 Listen, I’m not going to tell you. In fact I’m thinking of hitting you over the head again just to make sure you don’t remember that I work here. DR.X Why didn’t it work out between us? NURSE 2 It just didn’t. DR. X Your face. NURSE 2 Please don’t say it. DR.X It’s like a plate. NURSE 2 Oh, God. DR. X I may be handcuffed to the bed right now, but that won’t always be the case. We can run off together. You could even help me escape. NURSE 2 I’m going to transfer to a different hospital. DR. X Don’t do that. NURSE 2 I might move to a different state. DR. X We could move together. NURSE 2 This is the last time you’ll see me. DR. X You don’t know that. No one ever knows that. NURSE 2 I’ll make sure this time. DR. X No. NURSE 2 It was good to see you. I think I had to see you. I had to know. Now I know I made the right decision. DR. X No! NURSE 2 Good bye Dr. X. DR. X Nooooo! (NURSE 2 exits.) DR. X Noooo! Come back! Come back.

Jan 11, 2008

you can too

http://noimpactman.typepad.com/

"No Impact Man is my experiment with researching, developing and adopting a way of life for me and my little family—one wife, one toddler, one dog—to live in the heart of New York City while causing no net environmental impact. "

I recommend

Amazons and Their Men

https://www.ovationtix.com/trs/pr/23881

I saw this show over the summer. It's well worth seeing.