more daisey--a tribute to the amazing Heidi Schreck

http://www.mikedaisey.com/2008/05/huge-congratulations-to-heidi-schreck.sht

Craig Lucas commencement speech

http://www.mikedaisey.com/2008/05/leaving-your-artistic-legacy-by-craig.sht

the last year or so

I made a conscious choice to stop sending out 10 minute plays. I decided to put my energy instead into full length plays and now also into TV and film. In the long run, I think this is a good idea. (Short play productions rarely lead to long plays getting done and do nothing to help out careerwise if your name isn't Ives.) On the other hand, when your full lengths are being rejected, it's nice that someone in Australia or Michigan or California is doing a short play. It helps raise morale. Since I stopped sending out ten minute plays, all I'm getting is the full length rejections and even though many of them are very nice, it feels like I'm treading water. Not that I'm going to go back to sending them out--I have way too many full lengths that should be done and not enough time to submit everything. And I want my work to be seen in larger venues and I want to make a living--thus my beating a path to TV. Also I'm hoping that my published full lengths will be done more and more. I had 11 ten minute plays produced in 2006. If I get that many full lengths done next year, it will be a good year. I've had 4 so far, so that's not impossible. And if one big thing happens in TV or the stage, it would be a very good year. Additionally, I should write a musical, finish writing that novel. Rewrite that screenplay. Rewrite four of my plays. But now, the TV stuff to outline, revise, outline, revise and pitch. whew. pitch.

h/t daisey

Leonard Jacobs points us to this article on the Drama Desk Awards

http://goldderby.latimes.com/awards_goldderby/2008/05/will-scandal-an.html hat tip

How Theatre Failed America Roundtables

These look exciting:

http://www.mikedaisey.com/2008/05/as-part-of-reopening-of-how-theater.sht

DOWNTOWN, MIDTOWN, EVERYTOWN
Sun May 18th:
Robert Brustein (founder of Yale Repertory Theatre and American
Repertory Theatre)
Jonathan West (Milwaukee-based actor and blogger)
Emily Ackerman (actor and ensemble member of The Civilians)
Leonard Jacobs (national editor for Back Stage)
Sheila Callaghan (playwright, Dead City)

DO-IT-YOURSELF OR BUST
Sat May 24th:
Greg Kotis (playwright, Urinetown)
Jason Eagan (Artistic Director, Ars Nova)
Erez Ziv (Managing Director, Horse Trade Theater)
John Clancy (founder of the New York International Fringe Festival)
Scott Shepherd (The Wooster Group)
Lisa Kron (actor, solo performer and playwright, Well)

YOU ARE WHAT YOU WATCH
Sun June 1st:
Jim Nicola (Artistic Director for New York Theatre Workshop)
Mark Russell (founder of PS122 and the Under The Radar Festival)
Steve Bodow (head writer of the Daily Show and Elevator Repair Service member)
Morgan Jenness (literary agent, former literary manager of the Public Theater)
David Cote (theatre editor for Time Out New York)
Isaac Butler (Freelance director and theatre blogger)

FOR PROFIT, NON-PROFIT, NO PROFIT
Sun June 8th:
James Bundy (dean, Yale School of Drama; Artistic Director, Yale
Repertory Theatre)
Dan Fields (Disney Imagineer and freelance director)
Stephanie Weisman (founder and director of The Marsh in San Francisco)
Dave Greenham (executive director, The Theatre at Monmouth)
Tommy Thompson (veteran Broadway production stage manager)
Diane Ragsdale (Mellon Foundation)

ASSEMBLING ENSEMBLES
Sun June 15th:
John Collins (Artistic Director of Elevator Repair Service, The Sound
and the Fury)
Tanya Selvararnam (collaborator with Jay Scheib and The Builder's Association)
Colleen Werthmann (actor and Elevator Repair Service ensemble member)
Heidi Schreck (collaborator with 2-Headed Calf, Seattle's Printer's Devil)
Scott Walters (former Artistic Director of Illinois Shakespeare
Festival and blogger)
Hal Brooks (freelance director, Thom Paine and No Child…)

THEATER IN 2033
Sun June 22nd:
Rocco Landesman (Tony-award winning producer, Angels in America, The Producers)
Gregory Mosher (Tony-award winning director, former head of Lincoln Center)
Oskar Eustis (Artistic Director of the Public Theater)
Richard Nelson (playwright, Conversations in Tusculum)
Paige Evans (director, Lincoln Center's new LCT3 program)
Garrett Eisler (Village Voice theater critic and blogger)

It's not much, but

Anyone want my job?

jobs.columbia.edu/applicants/Central?quickFind=110795

have you seen this blog? from LA

http://bitter-lemons.com/

Michael Arthur's show tonight at the fall cafe in C Gardens

Do you know his art? You should.

http://inklines.blogspot.com/2008/05/show.html

what is causing my rash that i've had since November

Check out this handy chart

update on Handey flag

someone creates it here:

http://zehnkatzen.blogspot.com/2008/05/tehfunnay-jack-handeys-flag.html

RRT Best of Show this weekend

http://parabasis.typepad.com/blog/2008/05/rapid-responses.html

BEST OF SHOW
Friday at 7PM
Bowery Poetry Club (Bowery and 1st)
$10 at the door.

Innocent beware--DNA collections

http://blog.wired.com/27bstroke6/2008/05/feds-to-collect.html

h/t daisey

http://www.mikedaisey.com/

symbols

Jack Handey's flag

http://www.newyorker.com/humor/2008/05/19/080519sh_shouts_handey

So K's mother got us these forks and knives and things because we're getting married and in our new married life, we will have beautiful utensils. We just started using them and let me tell you I feel more like an adult than ever before. We are fancy now. We have class. We have shiny silverware. People could come over and have multi course dinners and eat with this silverware. Of course they would still have to drink out of a Porky Pig glass but that's another story.