vote, it may count.

http://www.salon.com/news/feature/2006/11/22/florida_13/index.html

"The Florida Elections Canvassing Commission, which is
made up of Gov. Jeb Bush and two other elected
Republican officials, said that the results of the
recount showed Buchanan had beaten Democrat Christine
Jennings by 369 votes in a race where nearly 240,000
votes were cast. The commission awarded the victory to
Buchanan despite the fact that the mystery of more
than 18,000 missing votes has not been resolved. "

voting machines in FL

http://washingtontimes.com/national/20061213-010659-5624r.htm

monday random ten

Killing Parrots--The Why Nots
Orphan Sister--Mercury in Gatorade
Bumble Bee Heaven (Taste's Like)--Bouillon Cubes
I Shot The Sherriff--Jodi and the Justice League
Lim BumDee Lim BaDoo--Led Jones
Seven Brides--Sad Fingers
The Long Dark Hallway--People With Faces
The Truth (I'm Hiding It)--G Men
Don't Tell Me What You Don't Want Me To Know--Flow
Reasonable--Floyd Britchcraft

Blue Coyote

K tells me there is something very interesting and
worthwhile and unpretentious going on over at the
Access Theatre. I'll be there Friday. Catch it if
you can. I am told there are lots of penises in the
show and blasphemy and a little bit of violence.

Blue Coyote Theater Group presents:

The Standards of Decency Project

Blue Coyote Theater Group has challenged nine fearless
emerging playwrights to create ten-minute plays that
feature at least one of the following: 1) nudity, 2)
violence, or 3) blasphemy, in a manner that is fully
warranted and justified (that is, that avoids mere
gratuitousness or sensationalism), while also intended
to offend conventional standards of decency. Vaguely
inspired by the FCC regulatory crackdown following
Janet Jackson's "wardrobe malfunction" at the
SuperBowl XXXVIII halftime show, Blue Coyote seeks to
spark a discussion about the uses and abuses of
transgressive performance onstage. All nine plays
will be performed complete and uncut for one week
only at the Access Theater.

Featuring new works by David Johnston, Mathew Freeman
, David Foley, Brian Dykstra, Boo Killebrew, Laura
Henry, Kristen Palmer, John Yearley, and Stan
Richardson.

At the Access Theater
380 Broadway, 4th Fl. (at White St.)
One week only! Dec 12th – 17th, all performances at
8pm
Tickets $18 via www.smarttix.com
See http://www.bluecoyote.org for more details.

http://www.savedarfur.org/pages/lobby_congress/

and this--more about oxytocin (not oxycotin)

http://www.hugthemonkey.com/

creepy

http://www.verolabs.com/

2 things

I am too old to stay out till 2 am two days in a row.

http://www.szymkowicznaked.blogspot.com/

>From Andrew Sullivan

http://time.blogs.com/daily_dish/2006/12/quote_for_the_d_8.html

via Mike Daisey

http://www.mikedaisey.com/

"Some reports are issued and just gather dust. And
truth of the matter is, a lot of reports in Washington
are never read by anybody. To show you how important
this one is, I read it," - George W. Bush today.

Does he have to make Jon Stewart's job that easy?

manifesto for a theatregoer

The kind of theatre I want to see, the theatre I most enjoy, the theatre I am willing to pay money to see, the theatre I give the benefit of the doubt to even if it’s not all working completely is like this: I like plays where I know the playwright is reaching towards something or struggling with something. I like the playwright who says I am troubled by this and think it should be on the stage. I like it when a play is written about something important to the playwright. I like plays that experiment with language or form. I like visually beautiful and theatrical plays. I like plays in which actors use movement, voice, rhythm in unusual ways. I like funny plays. I like smart plays. I like plays that make me think. I like plays with a lot of heart about people trying to connect with other people. I like plays with tight construction that keep you on the edge of your seat. I like plays that are about something, not plays that pretend to be about something. I like plays that are constantly surprising. I don’t like plays where I don’t learn anything. I don’t like plays where horrible things after horrible things happen to characters and there is no hope. I especially don’t like it when characters do evil things without any real reason. I don’t like it when a play is produced and there are clear problems of consistency or flabby writing that could have been fixed but weren’t. I like plays directed by geniuses. I like plays with quirky characters. I like plays that star actors that are too interesting for Hollywood. Sometimes I like musicals. I like plays that are fun. I don’t like plays about celebrities. Or that star celebrities, especially if that is all the play has going for it. I like witty plays. And clever plays. I like plays that make me think of bright colors. I like ninety minute plays and sixty minute plays. I like plays about love.

last month

So I finished a play at the beginning of november and
am 20 pages into another play. I have also been
writing a novel. I have nine thousand something
words. Which is not tons but it's something. I
word-counted some of my plays and some of the
hour-long ones are about that long. which means i
wrote about as much as an hour long play this month.
the bad news is that it will take me at least 5 or 6
more months to finish the book at this pace, i think.
i have no idea how long it will be actually. but that
means i will have to work this hard or harder and that
means (if word count means anything) that it will be
like writing 2 or 3 or 4 full length plays. except
that it's not like that. it's not like that at all.

apparently, my play Deflowering Waldo is available at
Walmart.com. I wonder if they are aware that it is
about pre-marital sex.

novel is coming slowly

http://szymkowicznaked.blogspot.com/

scene

This is something I'm working on. These are not the real character names. I had to change them to protect the secrecy of this very secret and confidential project. ACTOR (Reading from the side) So here we are. LILY Yes, we are here. ACTOR At our prom. LILY Yes. ACTOR I can’t tell you how much this night means to me. J Excuse me. That’s good but could you be closer? (LILY gets closer) ACTOR I can’t tell you how much this night means to me. LILY To me too. ACTOR To be touching you finally. To have you in my arms. J Closer still. (LILY gets closer) That’s better. LILY When did you first notice me? ACTOR I don’t remember. It’s like you were always there just out of my reach like a wanton cookie I really wanted or like the most beautiful girl that ever existed. No, wait I remember. It was the start of your freshman year. It was fall. The leaves were falling. LILY Am I holding you too tightly? ACTOR There was a morning mist in the air, a foggy beautiful mist like the start of something. And then the mist parted and you walked through it. Immediately I couldn’t breathe. Was it an asthma attack? I felt I had been shot through the lung, but no, it was the heart instead. I was forever transformed. Who knew it would take me three years to build up the courage to speak to you? Who knew I could speak after that fateful day? LILY And now you’re going off to college. ACTOR I am. LILY Will we ever see each other again? ACTOR Of course. LILY You’ll forget about me. ACTOR I could never do that. Not without some severe brain damage. LILY You’ll find some other girl. ACTOR No. LILY Someone in some way better. ACTOR That’s not possible. LILY You’ll find someone lovier. ACTOR No. LILY She will worship you. ACTOR I worship you. LILY You do, don’t you? I like the way it feels in your arms. ACTOR I like you in my arms. LILY I want tonight to be special. ACTOR It is. I’m here. You’re here. LILY I want tonight—kiss me. J Can we do that? Can we see that kiss? (Hopefully there is a kiss and LILY goes weak at the knees.) ACTOR That was special. LILY It sure was. ACTOR There’s something I have to tell you however. LILY What? (Enter DAVID.) DAVID Excuse me. Hi. LILY Not now! DAVID I’m sorry. J You don’t look sorry. DAVID What? J Nothing. LILY WHAT IS IT? DAVID It’s a little loud. If you could please keep it down. LILY Why are you doing this to me? DAVID I’m sorry? LILY I don’t think you know how bad I need this. It’s been a long time, a very very long time and you are trying to prevent me from getting what I really really need. DAVID What are you talking about? LILY You don’t understand. Nobody understands. Nobody understands me. It is very hard for me. It’s very very very very very hard and I can’t take it anymore. (LILY breaks down. DAVID looks worried.)

in MA in Jan

a short play of mine

http://acmetheater.com/nwwf2007.asp

and

also available from Amazon http://www.amazon.com/Deflowering-Waldo-Adam-Szymkowicz/dp/0822221365/sr=11-1/qid=1164132477/ref=sr_11_1/104-1699331-0565554

BUY THIS PLAY

That's right, for a mere 7.50 you can buy a play I wrote. In this holiday season, please think of the children who are eagerly waiting for their own copies of my play Deflowering Waldo now available in a handsome acting edition. Don't miss out. Get them before they are gone. http://www.dramatists.com/cgi-bin/db/single.asp?key=3728

BUY THIS PLAY

That's right, for a mere 7.50 you can buy a play I
wrote.

In this holiday season, please think of the children
who are eagerly waiting for their own copies of my
play Deflowering Waldo now available in a handsome
acting edition.

Don't miss out. Get them before they are gone.

http://www.dramatists.com/cgi-bin/db/single.asp?key=3728

global orgasm

http://news.yahoo.com/s/ap/20061120/ap_on_fe_st/peace_orgasm

Trying to write a play now specifically for the fringe (while writing a novel as well http://szymkowicznaked.blogspot.com ) Has anyone else ever written something specifically for the fringe? i feel like I'm fringing it up over here but I hope that will work out OK.

http://www.dramatists.com/text/newplays.html

I may never again see my name next to John Patrick
Shanley or David Ives. Sorry if that's annoying I
keep bringing it up. I'm just so fucking psyched.

where it's at--right here bizatch

I am of late hugely optimistic about what's going on
in theatre. I've seen some great plays lately by
Julia Cho, Anne Washburn, Adam Bock, Mike Batistick.
I've heard some great plays in class, at Ars Nova, in
my writing group. I read a book of awesome plays by
Sarah Ruhl recently and am very excited by what my
friends are writing and the energy in general at the
moment around new theatre.

and tonight and Sat there is this:

SIX FIGURES THEATRE COMPANY'S ARTISTS OF TOMORROW
FESTIVAL presents

ALL THE GIRLS LOVE BOBBY KENNEDY

by Kristen Palmer
directed by Sarah Cameron Sunde

In the spring of 1968 Gracie dreams of Bobby and he
dreams back to
her. A play about young love, idealism and Robert F.
Kennedy.

with
Deborah Knox*
Marielle Heller*
Travis York*

Presented as a Staged Reading with Sound

Thursday, November 16, 7:30pm
Saturday, November 18, 8:00pm

Festival Tickets, $15
smarttix.com

Equity Actors free with AEA Card.

The West End Theatre
Located upstairs in the Church of St. Paul and St.
Andrew
263 West 86th St. between Broadway and West End Ave.

accessible via the 1 train at 86th St.

Handicap accessible.

scales of living

I'm having trouble balancing the novel writing and the play writing and my playgoing and my life in general. What i want to do is write a play and a novel at the same time and also go to plays regularly. This is not easy. If I could only take the day job out of the equation--but perhaps you've heard this theme from me before. it would be nice to have an extra hour int he day. if i coud have one hour dedicated to the novel and one to whichever play i'm writing, that might work out ok. I have to figure this out.

Take Back the Criticism From the Man

Other bloggers pot about the Internationalist:

http://www.nytheatre.com/nytheatre/inte3817.htm
http://parabasis.typepad.com/blog/2006/11/happy_internati.html
http://obscenejester.typepad.com/home/2006/11/in_praise_of_de.html
http://jasongrote.blogspot.com/2006/11/tough-crowd-or-tale-of-two-audiences.html
http://www.ghunka.com/index.cgi/2006/11/15#internat
http://playgoer.blogspot.com/2006/11/reviews-thugs-internationalist.html

The Internationalist

Ok, so i've never really written a review on my blog
before but here is the first in what might be more
than one blog review.

I saw the Internationalist at the Vineyard. If you
have never seen this play, you should go see it. This
is actually the third time I saw it. (I saw the 13p
production in New York and then I saw it when it went
to CT as well.) i have to say I had a renewed respect
for this play and for Anne Washburn. I really enjoyed
it the last couple of times but usually if you see
something more than once, you can start to see the
holes. This play stands up to scrutiny and more than
that, is just as entertaining and thought provoking
the third time around.

As for the production, the set was outstanding, the
lights kept the magic the play needs. In fact
visually this incarnation is more magical than the
previous ones. it was a different experience seeing
it with a mostly older cast. They were also more
grounded which at times i liked and at times I didn't.
i had the odd sensation of watching Liam Craig play
the parts Travis York had played in a near identical
way although Craig is older and like the other actors,
the dial was turned down. Sometimes I wish Schmoll
had turned the dial up a bit more. Gibson Frazier was
the only actor that made it over on the transfer to
the Vineyard stage. He was excellent then and he is
excellent here too. Zak Orth who takes on the main
character, is likable, fumbling. It took me a while
to warm up to him in this part but his performance was
ultimately satisfying and the notes he hit were right
within the score of the overall show Schmoll created.

The problem with this show, and it is a problem, is
that Heid Schreck is sorely missed. Now, Heidi is a
friend of mine I should probably say. That said, she
brought an energy to this play in the first two
incarnations that could have made this production
transcendent. Annie Parisse, try as she might, is
just not able to fill these shoes. I don't know that
I can even put it into words exactly what Heidi
brought to the part that Annie didn't. I want to say
that Annie is not a character actor and when she put
on a wig to play an old woman it didn't work. But
that's just a small part of it. An Annie is a capable
actress but her storyline fell back a little for me
wheras Heidi brought it forward which is more what i
think the play needs.

That said, if you have not seen this play go see it.
The Vineyard made a good choice when they programmed
Anne's play.

Thank you Callaghan!!!!!!

my website is finally updated

http://www.adamszymkowicz.com/

new scripts, new photos, newest resume

good times.