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1100 Playwright Interviews

1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...

Apr 18, 2008

Last Night

Last night I read for 15 min or so from the novel that I am trying to write in fits and starts with long stops where I am interrupted by plays, a tv spec, a film script, etc. I do plan to finish one of these days. Except writing one novel is like writing 3 or 4 plays. It's hard to find the time. All of this is just to say that I really enjoyed reading my fiction in front of a crowd and that I thought it went well. I know I can write plays but the jury was still out on fiction. Last night was encouragement to go forward. Not sure when, but eventually. I also forgot how much I liked to perform. I used to act, yes but it made me anxious and it stopped being fun and so I went to writing instead. So I've been hiding behind actors. But when it comes down to it, acting is fun. Being up in front of people, feeling them facing you, responding in front of you, instead of around you. It's kind of a high. I forgot about that. Also, I'm good at reading my own stuff. I know how it's supposed to sound and I can often get near what I want it to be. I don't want to go back to acting or anything, but I hope I do get this book written and published just so that I can read in front of people. It was fucking fun.

nice post from melon

"Is it such a strange thing to believe that artists be paid for their job? It speaks to the entire question of the necessity of art. Try as people might to debate that question, it is fairly irrelevant, being that art does exist and has since the beginning of man, hence confirming that there is some innate need for it. Why we need it, is what makes it so damn interesting. Conversely, there is also an artist's need to do it. Doing great art is like doing crack. An addictive, supreme high. So you go searching for more." http://middleofthemelon.blogspot.com/2008/04/i-also-juggle.html

Apr 17, 2008

NYTW codes The Sound and the Fury

this is Elevator Repair Service who did Gatz as you will recall Tickets for all performances April 15 – May 18 are just $40 each (reg. $55). Use code SDFBLG7 when ordering. To purchase tickets, call (212) 947-8844 or visit http://www.broadwayoffers.com/ New York Theatre Workshop also offers both Student Tickets and CheapTix Sundays. CheapTix Sundays: All tickets for all Sunday evening performances at 7pm are just $20 each! Tickets are available in advance but must be purchased at the NYTW box office on a cash-only basis. Student Tickets: Full-time students with a valid student ID may purchase $20 tickets for all performances (subject to availability). Limit one ticket per ID. Tickets must be purchased in person and require an ID at the box office. The NYTW box office is located at 79 East 4th Street (between Second Avenue and Bowery) and is open Tuesday - Saturday from 1pm - 6pm.

Download a free ticket for the Women's Project's new play

For the preview period (April 11 through 19) of Women's Project's new show, Catherine Trieschmann's comedy crooked directed by Liz Diamond, 1000 free tickets will be downloaded from the Women's Project web site, www.WomensProject.org.

Matty F writes a new play

I'm going to go see When Is A Clock. Are you?

www.bluecoyote.org

Apr 16, 2008

f4f

more photos from the Albion college production of Food For Fish. photos by Robert Starko.







LA

So I'm back from my LA trip, spending the day recovering and trying to not be jetlagged. I had 20 meetings with TV folks while I was there. No, really. It was a culture shock but it was a lot of fun. I met some cool people. What else? Jeffrey Emerson took me to a rave or something like that. I saw a Circle X reading of Scarcity--I had missed the show in NYC and was glad to see it. It's a pretty terrific play. I'm pretty sure I saw a reading of it at MCC like 5 years ago. I also got to hang at SCR a bit. Saw the Kate Robin show which I really enjoyed. It was a lot about what it is to be an artist and brought up a lot of stuff I'm thinking about a lot right now. Met Kate, another playwright Sharr, hung out with Megan and my friend David from Columbia. Had some drinks with Mandi and Terry from Note. Spent a lot of time with Jen K and David V who I'm crazy about. They let me crash at their pad in echo park and David introduced me to some new comic books. What else? I don't like to drive, but I can do it. Flying is also not so much fun. There was a heat wave over the weekend. 90 or hotter in April. I wanted some of that moderate weather they are famous for. Ah well. next time I guess.

tomorrow, come see me read something

I'm planning to read from the beginning of my as yet unfinished novel.
swing by if you can.

Drunken! Careening! Writers!
Thursday, April 17, 7pm
KGB Bar
85 E. 4th St., NYC/www.kgbbar.com
FREE
“April Showers: It’s Raining Men! (Hallelujah)”
Andrew W.M. Beirle
Tim W. Brown
Paul McComas
Adam Szymkowicz
with your hostess, Kathleen Warnock


Drunken! Careening! Writers! is a reading series
dedicated to the proposition that readings should be:
excellent, well-read pieces that have at least one
thing in them that makes people laugh (nervous
laughter counts), and don't run more than 15 minutes
each.

For more information, or to be added to the mailing
list, email CareeningWriters at aol.com. 

Apr 9, 2008

I'm

in LA, driving around all day from meeting to meeting. Getting
sunburned. See you when I return.

Mar 31, 2008

money for somebody

Good news for one playwright every year

200,000 for a mid career in Sept

50,000 for an emerging a year later

and so on every year.

http://www.bloomberg.com/apps/news?pid=20601088&sid=a9BsRxLL0Qgc&refer=muse

http://www.cbc.ca/arts/theatre/story/2008/03/29/playwright-prize.html

NYTR 08

New York Theater Review 2008 at Drama Book Shop Friday, April 11, 6-8pm Free Readings and Reception The third edition of the New York Theater Review continues its celebration of downtown New York theater with the official release of the 2008 edition at Manhattan's Drama Book Shop Friday, April 11 from 6-8pm. Drawing from among the best and the brightest in contemporary NYC alt-theater, NYTR's 2008 edition contains three new plays, three original commissioned essays, an extended roundtable chat with six leading NYC theater and performance bloggers, and a sit-down give and take with that singular sonic performance onslaught also known as Reggie Watts. NYTR's evening at the Drama Book Shop will feature excerpts from the 2008 collection of new plays and essays. In plays, Taylor Mac's funny, deeply personal and visually stunning The Young Ladies Of ... seeks out the macho, Texas farm-boy father he never really knew; 2008 P73 Playwriting Fellow Tommy Smith's explosively visceral White Hot rips the calm exterior off a bourgeois couple's seemingly placid existence to expose the despairing core festering beneath; six Asian-Americans from widely different backgrounds share their stories of immigration, migration and cultural identity in Ping Chong & Sara Michelle Zatz' Undesirable Elements. In essays specifically commissioned for the 2008 edition, Victoria Linchong of NYC's Direct Arts, Zachary R. Mannheimer of Brooklyn's Subjective Theatre Co., and Marya Sea Kaminski of Seattle's Washington Ensemble Theatre contribute fresh takes on the NYC alt-theater of today, and a look back fifty years to where it all began. A reception will follow.

Alex Freeman talking about playing Barbara in Albion College production of F4F

http://asfreemanblog.blogspot.com/2008/03/on-barbara.html

a nice note from Ruben about Waldo in WI

http://avltheatre.com/ruben/2008/03/racinians_milwaukeans_yes_even.html
My short play Snow just won a contest in the UK. Read it here if you like. If you recall, this is the play that had a reading which starred Jon Bon Jovi and other heavy hitters last year. Details below for the upcoming show.

Mar 21, 2008

two songs

1. for rapid response team this weekend.. “By some measures of economic performance, the United States has been in a recession since 1975” http://www.chron.com/disp/story.mpl/editorial/outlook/5622455.html 33 years Christ was a carpenter, lived to be thirty-three I work in an office and I have a pHD Now I’m not the son of God but sometimes I just don’t see What’s wrong with me Christ fed his disciples with bread and with fish Don’t ask me out to dinner. I can’t afford a dish Unless it’s made by chef boy ar dee What’s wrong with me? I’m two hundred thousand dollars in debt Last week I was so poor I had to eat my pet Next week I’m gonna have to sell the television set What’s wrong with me? All my life I’m feeling less than Now I know it’s been recession It’s not my fault I’ll quit my second guessin’ All my life it’s been recession I can’t afford to live here no more I don’t have enough money for my very own floor Nevermiond the walls or the heat. What’s wrong with me? All my life I’m feeling less than Now I know it’s been recession It’s not my fault I’ll quit my second guessin’ All my life it’s been recession 2. this is something I just wrote for Flux Theatre Ensembles' Midsummer project. I got Puck who I once played in 8th grade. It turns out he's sort of a dick. warning: explicit content. PUCK In the woods in the woods We play in the woods Where the wine runs like rivers And all the sex is always good. Where the dancing is delicious And prancing all auspicious It’s fine if you dine With the wine and the bitches Don’t sort it out too mortal With your head like an ass People make me chortle Always rolling on the grass First you loving that one Then you’re loving that Snap of my fingers You be switching dick for twat It’s systemical, chemical, Polemical It ain’t none of that I find you hysterical Your love is clerical, empirical Not a miracle Here one day then whereitgo? Don’t tell me about your love “It’s true as can be” Love’s not from above Ain’t no destiny Don’t mess with me I can put my finger on it Hell I’ll put in three You’ll forget who you love When you’re rubbing up with-- “Oh, Puck you so horny.” All the elves and the faeries Be staying up all night Oberon says bend over You say iz this right? You branded with Titania But you’re standing in the clover And if Oberon’s in the clover on you Then you better bend right over. And your lover Where’s your lover When your shins are in the grass? He’s under someone other With his dick in someone’s ass Is he thinking bout you? No, he’s thinking bout some lass But listen up I’ll school you And I don’t mean I’ll tool you But if you’re hot from this lot Hear me out, I’ll cool you Your sucks and your fucks are always in flux Get your rocks off on cocks Or your socks off with bucks but you know where flux stops It stops with Puck. Puck Puck Puck Get in the car. Lord what fools these mortals are