Featured Post

1100 Playwright Interviews

1100 Playwright Interviews A Sean Abley Rob Ackerman E.E. Adams Johnna Adams Liz Duffy Adams Tony Adams David Adjmi Keith Josef Adkins Nicc...

Dec 28, 2019

Year In Review

2019



So since 2007, I've been doing a version of these posts.  So that whole 10 year thing, end of a decade look where I am now is possible, in a way.

In 2009, I was 2 years out of Juilliard, living in Minneapolis for half a year for my wife's Jerome and  then wrote for 5 months for a tv show in Atlanta.  I had 8 productions of my plays and wrote 5 episodes of that TV show that year and 2 plays.  I think I had 5 plays published total at that time.  That was the year Hearts Like Fists went up at Juilliard and Pretty Theft went up in New York with Flux.

Today I have 14 plays published.  I have not written any more tv since '09.

I wrote 2 1/2 plays this year, and half a screenplay.  I reached a milestone this year.  I wrote my 50th play.  (I started counting maybe 23 years ago and I count anything over 45 minutes.  So some of these are not long plays.  Some of these are not good plays.  Still that's a lot of plays to write.)





This year was by far the most full length productions I've ever had at 47.  Up 16 from last year, although it should be said a lot of these productions were at schools.  (In other words, fewer performances than small theaters doing a three week run, for example.)










Of these 47 productions, 6 came about through some previous relationship or production.  There were 10 productions of Kodachrome, 1 Incendiary, 7 Marian, 8 Clown Bar, 6 Hearts Like Fists, 5 Rare Birds, 4 Nerve, 3 Adventures of Super Margaret, 1 The Wooden Heart, 1 Stockholm Syndrome (Premiere!), 1 Pretty Theft.

2 were middle school productions.  15 of these were high school productions.  10 were college productions.  2 were at theater schools.

Thee was a premiere of Stockholm Syndrome with The NOLA Project and a first production of The Wooden Heart at Acadiana Repertory Theater in Lafayette.

There were also 10 productions of my night of one acts, 7 Ways to Say I Love You.

I think it's worth saying that my monologues are being done a lot these days at auditions.  I sell a lot more books than I used to because my monologues are out there in a way they weren't say 3 or 4 years ago.  Mostly, I think people find them online in the various places I have put them.  There are kind of a lot of videos of people doing my monologues posted online.

This year I traveled to New Orleans, LA; Nashville, TN; Elon, NC; Las Vegas, NV; Lafayette, LA; Charlottesville, VA, and various places in CT.

I continue to work as Literary Manager at The Juilliard School, supporting the playwriting program there.

There are 18 or 19 planned productions so far in 2020 including the premiere of Clown Bar 2 in Vegas in May.  There will be 3 school productions of The Book Store, all from NPX inquiries.  I think 2 plays will be done in Turkey soon, in Turkish.  I also have a commission to write in the new year and probably another next year.




Kodachrome and Mercy were published by Samuel French this year.

I am interviewing again, slowly.  49 interviews this year.

I sent out submissions to 220 places.

That's it.  Another year wrapped up.  May all good things come to you.  Hope you have a Happy New Year!

My previous year in reviews, in case you are interested:

2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007

---------------------------------------------------------------------------------------------------------
Enter Your Email To Have New Blog Posts Sent To You

-----------------------------------------------------------------------------------------------------------
Support The Blog
-----------------------------------------------------------------------------------------------------------
Mailing list to be invited to Adam's events
Email:
------------------------------------------------------------------------------------------------------------
Adam's Patreon

Books by Adam (Amazon)

Dec 7, 2019

Clown Bar photos

Some photos from University of Wisconsin Steven Point's Clown Bar. (Production # 39 of the play)

Costume Design: Kristina Sneshkoff
Hair/Make-up: Kenzie Biundo

And this amazing video
















---------------------------------------------------------------------------------------------------------
Enter Your Email To Have New Blog Posts Sent To You

-----------------------------------------------------------------------------------------------------------
Support The Blog
-----------------------------------------------------------------------------------------------------------
Mailing list to be invited to Adam's events
Email:
------------------------------------------------------------------------------------------------------------
Adam's Patreon

Books by Adam (Amazon)

Dec 3, 2019

I Interview Playwrights Part 1069: Francesca Pazniokas








Francesca Pazniokas


Hometown: Brookside, NJ

Current town: Brooklyn, NYC


Q:  What are you working on now?


A:   I mostly write dark, surreal narrative work, but I also really enjoy working with verbatim/found text. So I recently decided to start creating my own little hallucinatory, abstract documentary films. I'm also working on a verbatim theater project I started last year, where I interview men about masculinity and their fathers. I'm always working on four or five projects at a time. I have to keep my brain busy, or else it's like a little puppy destroying a living room when it's left alone.


Q:  Tell me, if you will, a story from your childhood that explains who you are as a writer or as a person.


A:  My grandmother was good friends with the nuns at our local convent, so when she'd babysit me as a kid, she'd bring me to hang out with the nuns. Some of my earliest memories are running around this big, gorgeous church with a gaggle of nuns behind me, feeling like I ran the place. I think that's why I like theater -- I'm not religious, but I love ritual and spectacle.


Q:  If you could change one thing about theater, what would it be? 


A:  When people pay thousands of dollars for a space rental, but don't pay their actors anything. You could perform the play without the theater, but you couldn't perform it without actors. Get a smaller space and pay your actors.

Q:  Who are or were your theatrical heroes?


A:  Kelleen Conway Blanchard is one of the main reasons I make my own work. I used to live in terror that people would see the inside of my weird brain and be totally horrified. But working on Kelleen's play "Kittens In A Cage," I had so much fun playing in her wild, grimy, strange, hilarious, love-filled world. All her work is so singularly her -- you know it's a Kelleen play from the very first lines. Her writing made me realize the power of an authentic, individual voice. Anyway, I just love Kelleen's work, and more people on the East Coast should know her plays.


Q:  What kind of theater excites you? 

A:  I want to see work that throws me off-kilter, that makes me walk outside afterwards feeling like real life is actually a bizarre alternate universe. That's the kind of work I want to create and the kind of work I want to see. Strange and beautiful things.


Q:  What advice do you have for playwrights just starting out? 


A: When you're new at anything, you're going to be bad at it. That's how it always works, in every field. Tell yourself: "Let's create some crappy work. Let's go get rejected." Embrace it, and you'll get better. Write as much as you can, as often as you can, and don't put so much pressure on yourself to create great work. Just create work.

Q:  Plugs, please: 


A:  I'll be working with Queensborough College this spring on my taxidermy play WUNDERKAMMER. I also have a few short films coming out soon, and three episodes with the online series CITY KITTIES.

---------------------------------------------------------------------------------------------------------
Enter Your Email To Have New Blog Posts Sent To You

-----------------------------------------------------------------------------------------------------------
Support The Blog
-----------------------------------------------------------------------------------------------------------
Mailing list to be invited to Adam's events
Email:
------------------------------------------------------------------------------------------------------------
Adam's Patreon

Books by Adam (Amazon)

Nov 20, 2019

I Interview Playwrights Part 1068: Alexis Scheer




Alexis Scheer

Hometown: Miami, Florida.

Current Town: Boston, Massachusetts.

Q:  Tell me about Our Dear Dead Drug Lord.

A:  Our Dear Dead Drug Lord is a thriller about 4 teenage girls who try to commune with the spirit of Pablo Escobar. At its core, it's about 4 young women seeking power and agency, and the dangerous depths they go to get it. It's funny and vicious. Someone told me it "puts you in stitches, and then rips them right out," which feels right.


Q:  What else are you working on now?

A:  A commission for Actors Theatre of Louisville, The Sensational, which goes up in January as part of their PTC's New Play Project, and a commission for Manhattan Theatre Club about Birthright/Taglit. I'm also in development land for my other plays, Laughs in Spanish and Christina. Lots of irons in the fire right now.


Q:  Tell me, if you will, a story from your childhood that explains who you are as a writer or as a person.

A:  I'm not one to quit things (real Capricorn energy), but when I was 12 I quit Hebrew school. I told my parents I wasn’t sure if I believed in god and that I wasn't ready to be Bat Mitzvahed. But really I just wanted to be in Actors Playhouse's production of Fiddler on the Roof. And I was--I played Shprintze--and to this day it remains my favorite celebration of my faith.

Q:  If you could change one thing about theater, what would it be?
A:  Affordability. Radical inclusion and hospitality by making theatre affordable to attend, study, and make.


Q:  Who are or were your theatrical heroes?

A:  Sarah Kane, Paula Vogel, Jose Rivera, Anne Bogart.

Q:  What kind of theater excites you?

A:  I love theatre that reaches out to us and demands we reach back. Beautiful chaos. Divine intervention. I go to the theatre to be transformed, to have my inner alchemy changed. And that doesn't necessarily always come from shock, intellect, or acts of intimacy--I've been known to get joyfully weepy watching big Broadway musicals.

Q:  What advice do you have for playwrights just starting out?

A:  Start before you're ready. Cultivate loves, hobbies, and practices outside of theatre. Lift up your community. Bloom where you are planted.

Q:  Plugs, please:

A:  Our Dear Dead Drug Lord runs through January 5th at WP Theatre. www.ourdeardeaddruglord.com


Follow me on Instagram (@scheer_madness) and Twitter (@alexisscheer)


---------------------------------------------------------------------------------------------------------
Enter Your Email To Have New Blog Posts Sent To You

-----------------------------------------------------------------------------------------------------------
Support The Blog
-----------------------------------------------------------------------------------------------------------
Mailing list to be invited to Adam's events
Email:
------------------------------------------------------------------------------------------------------------
Adam's Patreon

Books by Adam (Amazon)

Nov 13, 2019

upcoming

PRODUCTIONS

Clown Bar 2
Production #1 of CB2
Majestic Rep
Las Vegas, NV

Production #22 of Marian
Blue Ridge Community College
Flat Rock, NC
Opens November 13, 2019.

Production #23 of Marian
The Breck School
Golden Valley, MN
Opens March 5, 2020

Production #24 of Marian
Cambridge Street Upper School
Cambridge, MA
Opens March 19, 2020

Production #25 of Marian
Michigan State Univeristy
East Lansing, MI
Opens April 10, 2020


Production #39 of Clown Bar
University of Wisconsin,
Stevens Point, WI.
Opens November 8, 2019.

Production #40 of Clown Bar
Fresno State University
Fresno, CA.
Opens November 15, 2019.


Production #44 of HLF
Lee High School
Springfield, VA
Opens November 11, 2019.

Production #45 of HLF
Christopher Newport University
Newport News, VA.
Opens November 15, 2019.



Production #46 of HLF
Restless Artists Theater
Sparks, NV
Opens December 6, 2019


Production #47 of HLF
Newton South High School
Newton, MA
Opens May 21, 2020.


Production #13 of Kodachrome
Orange High School
Hillsborough, NC.
Opens November 1, 2019.

Production #14 of Kodachrome
Monett High School
Monett, MO
Opens November 11, 2019

Production #15 of Kodachrome
Lee Strasberg Theater and Film Institute
New York, NY
Opens November 14, 2019.

Production #16 of Kodachrome
Berkley High School
Berkley, MI
Opens November 15, 2019.

Production #17 of Kodachrome
Fair Lawn High School
Fair Lawn, NJ
Opens November 19, 2019.

Production #18 of Kodachrome
Labette County High School
Altamont, KS
Opens April 16, 2020.

The Adventures of Super Margaret

Production #9 of Super Margaret
Driscoll Middle School
San Antonio, TX
Opens November 20, 2019.

Production #10 of Super Margaret
Clarksville Middle School
Clarksville, IN
Opens December 20, 2019.

Rare Birds

Production #8 of Rare Birds
Mesquite High School
Mesquite, TX.
Opens November 14, 2019.

a night of short plays

Production #35 of 7 Ways
Fountain Central Jr-Sr High
Veedersburg, IN
Opens November 22, 2019

Production #36 of 7 Ways
Mercer University
Macon, GA
Opens February 13, 2020.

---------------------------------------------------------------------------------------------------------
Enter Your Email To Have New Blog Posts Sent To You

-----------------------------------------------------------------------------------------------------------
Support The Blog
-----------------------------------------------------------------------------------------------------------
Mailing list to be invited to Adam's events
Email:
------------------------------------------------------------------------------------------------------------
Adam's Patreon

Books by Adam (Amazon)